1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.LT 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.LT 3 00:01:24,693 --> 00:01:28,218 HE'S HEADING FOR THE BRIDGE. DON'T LET HIM GET AWAY! 4 00:01:55,898 --> 00:01:59,162 COME ALONG, LADS. LET'S NOT LOSE HIM NOW. 5 00:04:46,460 --> 00:04:48,940 I STILL DON'T KNOW WHY WE'RE STOPPING HERE. 6 00:04:49,071 --> 00:04:51,334 WE'RE JUST GONNA BE THAT MUCH LATER GETTING TO VEGAS. 7 00:04:51,465 --> 00:04:52,944 THERE'S SOMETHING I WANT YOU TO SEE. 8 00:04:53,075 --> 00:04:54,772 IT'S A VERY SPECIAL TOURIST ATTRACTION. 9 00:04:54,903 --> 00:04:56,557 I HATE TOURIST ATTRACTIONS. 10 00:04:56,687 --> 00:05:00,343 TRUST ME, YOU'LL BE GLAD YOU SAW THIS ONE. 11 00:05:01,431 --> 00:05:02,998 KEEP YOUR EYES CLOSED. 12 00:05:03,128 --> 00:05:04,128 THIS IS SILLY. 13 00:05:04,913 --> 00:05:07,002 I WANT YOU TO GET THE FULL IMPACT. 14 00:05:07,132 --> 00:05:10,310 OKAY, OKAY. ALL RIGHT... 15 00:05:10,440 --> 00:05:12,529 YOU CAN OPEN YOUR EYES. 16 00:05:12,660 --> 00:05:16,011 THERE IT IS. IT'S THE REAL LONDON BRIDGE. 17 00:05:16,141 --> 00:05:18,318 THEY BROUGHT IT HERE ALL THE WAY FROM ENGLAND, 18 00:05:18,448 --> 00:05:19,971 STONE BY STONE. 19 00:05:20,102 --> 00:05:23,061 OH, I CAN'T WAIT TO WALK ACROSS. 20 00:05:23,192 --> 00:05:26,674 OH, HEY, I'M STARVING. WE CAN WALK ACROSS AFTER WE EAT. 21 00:05:26,804 --> 00:05:30,808 COME ON, THERE MUST BE A RESTAURANT AROUND HERE THAT'S STILL OPEN. 22 00:05:38,903 --> 00:05:40,296 THANK YOU. 23 00:05:40,427 --> 00:05:41,667 I'VE BEEN MEANING TO ASK YOU... 24 00:05:41,732 --> 00:05:44,344 DOES EVERYBODY AROUND HERE DRESS LIKE THAT? 25 00:05:44,474 --> 00:05:47,695 THIS IS THE MIDDLE OF THE ARIZONA DESERT. 26 00:05:47,825 --> 00:05:49,392 OH, SURE. HALF THE VILLAGE DOES. 27 00:05:49,523 --> 00:05:50,654 LOCAL COLOR. 28 00:05:51,916 --> 00:05:53,894 YOU FOLKS COMING TO THE BIG DEDICATION TOMORROW MORNING? 29 00:05:53,918 --> 00:05:54,963 DEDICATION? 30 00:05:55,920 --> 00:05:57,520 MARKS THE FINAL COMPLETION OF THE BRIDGE. 31 00:05:58,009 --> 00:05:59,769 BUT I THOUGHT THEY COMPLETED IT BACK IN 1971. 32 00:05:59,837 --> 00:06:02,187 EXCEPT FOR ONE MISSING STONE. 33 00:06:02,318 --> 00:06:05,166 A FEW MONTHS AGO, THEY FOUND THE STONE AT THE BOTTOM OF THE THAMES RIVER. 34 00:06:05,190 --> 00:06:07,410 BEEN DOWN THERE FOR ALMOST A HUNDRED YEARS. 35 00:06:07,541 --> 00:06:09,804 SO THEY SHIPPED IT OVER, FITTED IT BACK IN THE BRIDGE, 36 00:06:09,934 --> 00:06:11,806 AND TOMORROW IS THE BIG DEDICATION. 37 00:06:11,936 --> 00:06:14,461 I'M AFRAID WE'RE GONNA HAVE TO MISS THAT. 38 00:06:14,591 --> 00:06:16,811 WE'RE LEAVING FOR LAS VEGAS IN THE MORNING, RIGHT, HON? 39 00:06:16,941 --> 00:06:19,074 HE'S RIGHT. I GUESS WE'LL JUST HAVE TO MISS IT. 40 00:06:19,204 --> 00:06:20,945 THANK YOU. 41 00:06:21,076 --> 00:06:22,599 GOOD NIGHT. 42 00:06:33,305 --> 00:06:35,482 WE'D BETTER GET TO THE HOTEL. 43 00:06:35,612 --> 00:06:37,484 YOU SAID WE COULD CROSS LONDON BRIDGE. 44 00:06:37,614 --> 00:06:40,835 YOU READ THE GATE SIGN. THE PLACE SHUTS DOWN AT 10:00. 45 00:06:40,965 --> 00:06:44,447 EVERYBODY'S SUPPOSED TO BE GONE BY 10:30. THE BRIDGE IS CLOSED. 46 00:06:44,578 --> 00:06:48,059 BESIDES, I'M WORRIED WE WON'T GET A HOTEL ROOM THIS LATE. 47 00:06:48,190 --> 00:06:52,368 WE CAN WALK ACROSS THE BRIDGE IN THE MORNING BEFORE WE LEAVE. 48 00:06:52,499 --> 00:06:55,153 I WANNA CROSS IT TONIGHT 49 00:06:55,284 --> 00:06:58,983 WHEN IT'S ALL DARK AND EMPTY AND MYSTERIOUS-LOOKING. 50 00:06:59,114 --> 00:07:00,637 TELL YOU WHAT... 51 00:07:00,768 --> 00:07:03,466 YOU GO CHECK IN FOR US AT THE HOTEL, 52 00:07:03,597 --> 00:07:05,990 I'll BE RIGHT OVER, I PROMISE. 53 00:07:06,121 --> 00:07:08,036 PROMISE? PROMISE. 54 00:07:09,341 --> 00:07:13,433 MMM, YOU BETTER HURRY, OR WE'RE NOT GONNA GET A ROOM. 55 00:07:13,563 --> 00:07:14,695 OH... 56 00:08:38,343 --> 00:08:40,041 OW. 57 00:09:23,345 --> 00:09:25,173 HELP! 58 00:09:25,303 --> 00:09:27,654 SOMEBODY HELP ME! 59 00:09:29,307 --> 00:09:31,745 HELP! 60 00:09:31,875 --> 00:09:34,312 HELP! 61 00:09:36,924 --> 00:09:38,186 HELP. 62 00:09:38,316 --> 00:09:40,362 HELP. 63 00:09:44,279 --> 00:09:47,935 AAH! 64 00:10:47,124 --> 00:10:50,737 AND NOW, AS LORD MAYOR OF THE CITY OF LONDON, 65 00:10:50,867 --> 00:10:54,044 I TAKE GREAT PRIDE IN OFFICIALLY UNVEILING 66 00:10:54,175 --> 00:10:55,698 THIS FINAL STONE, 67 00:10:55,829 --> 00:10:59,702 DRAWN UP FROM THE RIVER THAMES AND DEDICATED HERE TODAY 68 00:10:59,833 --> 00:11:02,836 TO MARK THE TRUE AND FINAL COMPLETION 69 00:11:02,966 --> 00:11:04,359 OF LONDON BRIDGE. 70 00:11:06,448 --> 00:11:08,058 THANK YOU, MY LORD MAYOR. 71 00:11:08,189 --> 00:11:11,148 WE ARE INDEED HONORED BY YOUR PRESENCE HERE TODAY. 72 00:11:11,279 --> 00:11:13,760 THIS STONE, NOW OFFICIALLY PLACED, 73 00:11:13,890 --> 00:11:16,197 FORMS YET ANOTHER LINK IN THE MIGHTY CHAIN OF FRIENDSHIP 74 00:11:16,327 --> 00:11:18,242 FORGED BETWEEN OUR TWO COUNTRIES... 75 00:11:18,373 --> 00:11:21,681 GREAT BRITAIN AND THE UNITED STATES OF AMERICA. 76 00:11:25,162 --> 00:11:29,340 AS LONDON BRIDGE ITSELF SYMBOLIZES THIS ENDURING BOND, 77 00:11:29,471 --> 00:11:31,125 A BOND THAT EXTENDS FOR US... 78 00:11:31,255 --> 00:11:33,693 ARE YOU PETER DAWSON, CHIEF OF POLICE? YES. 79 00:11:33,823 --> 00:11:35,433 I WAS TOLD TO TALK TO YOU ABOUT MY WIFE. 80 00:11:35,564 --> 00:11:38,175 I'M VERY WORRIED. SHE DIDN'T COME BACK TO THE HOTEL. 81 00:11:38,306 --> 00:11:40,003 I'M ON DUTY HERE NOW. 82 00:11:40,134 --> 00:11:42,895 COULD IT BE POSSIBLE FOR YOU TO DOWN TO THE STATION AFTER THE CEREMONY? 83 00:11:42,919 --> 00:11:44,878 WE CAN TALK THEN.WE'LL TALK NOW, DAMN IT. 84 00:11:45,008 --> 00:11:46,140 MY WIFE IS MISSING. 85 00:11:46,270 --> 00:11:47,924 I DEMAND THAT YOU DO SOMETHING ABOUT IT. 86 00:11:48,055 --> 00:11:49,186 GET RIDOF HIM. 87 00:11:49,317 --> 00:11:51,406 THIS IS DETECTIVE GREGORY. 88 00:11:51,536 --> 00:11:53,669 RIGHT THIS WAY. WE'LL TALK OVER HERE. 89 00:11:53,800 --> 00:11:56,193 IT'S GONNA BE FINE. 90 00:11:56,324 --> 00:11:58,456 BY EVERY MAN, WOMAN, AND CHILD... 91 00:11:58,587 --> 00:12:01,416 SO WHAT DO YOU THINK OF HIM? 92 00:12:01,546 --> 00:12:02,678 OF WHO? 93 00:12:02,809 --> 00:12:05,812 THE NEW COP... DON GREGORY. 94 00:12:05,942 --> 00:12:09,250 HE'S ONLY BEEN HERE A MONTH FROM CHICAGO, 95 00:12:09,380 --> 00:12:11,208 AND HE'S SINGLE. 96 00:12:11,339 --> 00:12:13,384 JUST HAVE A SEAT IN THE SHADE IN THERE. 97 00:12:13,515 --> 00:12:18,215 LOOK, I'M DAVID WILLIAMSON. ALICE... SHE'S MY WIFE... 98 00:12:18,346 --> 00:12:21,523 WE WERE PASSING THROUGH ON THE WAY TO VEGAS. 99 00:12:21,653 --> 00:12:24,700 I LEFT ALICE HERE A LITTLE AFTER 10:00 LAST NIGHT. 100 00:12:24,831 --> 00:12:26,049 WHY'D YOU DO THAT? 101 00:12:26,180 --> 00:12:29,270 SHE WANTED TO WALK ACROSS, BUT I WAS EXHAUSTED 102 00:12:29,400 --> 00:12:31,489 AND WORRIED WE WOULDN'T BE ABLE TO BOOK A ROOM, 103 00:12:31,620 --> 00:12:33,230 SO I TOOK OFF TO THE HOTEL. 104 00:12:33,361 --> 00:12:34,884 SHE WAS GONNA MEET ME THERE. 105 00:12:35,015 --> 00:12:36,843 WHAT'D YOU DO AFTER THAT? 106 00:12:36,973 --> 00:12:38,540 I WENT STRAIGHT TO THE HOTEL. 107 00:12:40,194 --> 00:12:42,370 I'D BEEN DRIVING ALL DAY, I WAS REALLY BEAT. 108 00:12:42,500 --> 00:12:44,502 I FELL ASLEEP WAITING FOR ALICE. 109 00:12:44,633 --> 00:12:47,114 WHEN I WOKE UP, IT WAS DAYLIGHT, AND SHE WASN'T BACK. 110 00:12:47,244 --> 00:12:49,856 I WENT TO THE POLICE STATION, THEY TOLD ME TO COME HERE. 111 00:12:49,986 --> 00:12:51,988 SOMETHING'S HAPPENED TO HER. I KNOW IT. 112 00:12:52,119 --> 00:12:55,252 MR. WILLIAMSON, HOW MUCH MONEY DID YOUR WIFE HAVE IN HER PURSE? 113 00:12:55,383 --> 00:12:56,906 THAT'S WHAT WORRIES ME. 114 00:12:57,037 --> 00:12:59,082 WE WERE PLANNING ON GAMBLING IN VEGAS, 115 00:12:59,213 --> 00:13:01,781 AND ALLIE HAD A LOT OF CASH IN HER PURSE. 116 00:13:01,911 --> 00:13:03,086 HOW MUCH IS A LOT? 117 00:13:03,217 --> 00:13:05,001 OVER $1,000. 118 00:13:05,132 --> 00:13:07,830 $1,000. WE'LL BE IN TOUCH, OKAY? 119 00:13:07,961 --> 00:13:09,789 DON'T WORRY ABOUT YOUR WIFE. 120 00:13:09,919 --> 00:13:13,575 PEOPLE JUST DON'T DISAPPEAR IN HAVASU. COME ON. 121 00:13:46,564 --> 00:13:48,871 MY GOD. 122 00:13:53,963 --> 00:13:56,531 YOU SAY YOU'VE NEVER SEEN THE WOMAN BEFORE. 123 00:13:56,661 --> 00:13:58,925 NO. 124 00:14:00,013 --> 00:14:01,928 NO, NOT... 125 00:14:02,058 --> 00:14:04,582 YOU OKAY? TAKE IT EASY. 126 00:14:04,713 --> 00:14:08,543 YEAH. IT'S JUST I'VE NEVER SEEN ANYBODY WHO'S BEEN... 127 00:14:08,673 --> 00:14:10,458 I CAN UNDERSTAND THAT. 128 00:14:10,588 --> 00:14:11,981 YOU OWN THE LUCKY LADY? 129 00:14:12,112 --> 00:14:16,551 YEAH. I RUN RIVER TOURS ON THE WEEKENDS, 130 00:14:16,681 --> 00:14:19,597 AND I HIRE OUT FOR FISHING DURING THE WEEK. 131 00:14:19,728 --> 00:14:22,035 WHO WAS SHE? 132 00:14:22,165 --> 00:14:25,821 SHE WAS A TOURIST. NAME WAS ALICE WILLIAMSON. 133 00:14:25,952 --> 00:14:27,277 WHY WOULD ANYBODY WANT TO KILL HER? 134 00:14:27,301 --> 00:14:29,346 WE DON'T KNOW THAT YET. 135 00:14:29,477 --> 00:14:32,088 UM, IS IT OKAY IF I GO? 136 00:14:32,219 --> 00:14:35,178 I CAN'T THINK OF ANYTHING ELSE I MIGHT BE ABLE TO TELL YOU. 137 00:14:35,309 --> 00:14:38,312 YEAH, SURE. I'll HAVE ONE OF MY MEN DRIVE YOU HOME. 138 00:14:38,442 --> 00:14:42,359 THAT'S ALL RIGHT. MY CAR IS HERE AT THE MARINA. 139 00:14:42,490 --> 00:14:43,970 I CAN DRIVE MYSELF. 140 00:14:44,100 --> 00:14:46,973 YOU SURE YOU'RE OKAY? YOU SEEM PRETTY SHAKEN. 141 00:14:47,103 --> 00:14:48,670 I'll BE OKAY, REALLY. 142 00:14:48,800 --> 00:14:51,499 ALL RIGHT. I'll BE IN TOUCH. 143 00:14:51,629 --> 00:14:53,066 YEAH. 144 00:14:53,196 --> 00:14:54,196 THANK YOU. 145 00:15:07,428 --> 00:15:08,995 Woman over P.A.: OFFICER KENNEDY, 146 00:15:09,125 --> 00:15:11,345 PLEASE REPORT TO STAIRWAY LOCATION. 147 00:15:14,304 --> 00:15:17,264 Man: THIS AREA IS NOW UNDER POLICE CONTROL. 148 00:15:17,394 --> 00:15:21,007 AND IS RESTRICTED TO AUTHORIZED PERSONNEL ONLY. 149 00:15:23,444 --> 00:15:26,055 HEY, DON.YEAH. 150 00:15:26,186 --> 00:15:28,579 WE GOT THE PRELIM REPORT BACK FROM THE LAB ON THE DECEASED. 151 00:15:28,710 --> 00:15:30,016 THEY FOUND A FRAGMENT OF CLOTHING 152 00:15:30,146 --> 00:15:31,539 UNDERNEATH ONE OF HER FINGERNAILS. 153 00:15:31,669 --> 00:15:34,934 DAWSON THINKS YOU BETTER TAKE A LOOK AT IT. 154 00:15:35,064 --> 00:15:36,346 I'll STOP BY ONCE I'M FINISHED HERE. 155 00:15:36,370 --> 00:15:37,632 DID YOU FIND ANYTHING? 156 00:15:38,894 --> 00:15:40,350 BLOODSTAINS UP THERE PROVE SHE WAS KILLED AT THE BRIDGE. 157 00:15:40,374 --> 00:15:42,202 BODY WAS PITCHED INTO THE WATER, 158 00:15:42,332 --> 00:15:45,727 AND IT LOOKS LIKE THE CURRENT TRAVELED IT TO THOMPSON BAY. 159 00:15:45,857 --> 00:15:47,598 YEAH, WELL, YOU GOT PROBLEMS. 160 00:15:47,729 --> 00:15:51,124 AH, DETECTIVE... I JUST TALKED TO THE CITY COUNCIL. 161 00:15:51,254 --> 00:15:52,254 THEY'RE VERY UPSET. 162 00:15:53,213 --> 00:15:54,213 ABOUT WHAT? 163 00:15:54,301 --> 00:15:56,129 CLOSING THE VILLAGE. 164 00:15:56,259 --> 00:15:58,044 IT'S A FINE TIME YOU PICKED TO DO IT, TOO. 165 00:15:58,174 --> 00:16:01,090 YESTERDAY WE HAD EVERYBODY HERE. MAJOR MEDIA COVERAGE. 166 00:16:01,221 --> 00:16:03,416 SOME OF 'EM ARE STILL HERE, AND YOU'RE DRIVING 'EM AWAY. 167 00:16:03,440 --> 00:16:06,617 WE'RE CONDUCTING A SEARCH IN THE INVESTIGATION OF A HOMICIDE. 168 00:16:06,748 --> 00:16:08,924 WE CAN'T HAVE A HERD OF PEOPLE STAMPEDING THROUGH HERE 169 00:16:09,055 --> 00:16:10,273 WHILE WE'RE DOING IT. 170 00:16:11,448 --> 00:16:13,426 WHAT DO YOU EXPECT TO FIND? THERE'S NO MYSTERY ABOUT IT. 171 00:16:13,450 --> 00:16:15,670 OH, REALLY? 172 00:16:15,800 --> 00:16:17,977 THE WOMAN HAD CASH IN HER PURSE, HER PURSE IS MISSING. 173 00:16:18,107 --> 00:16:21,676 OBVIOUSLY SOME PASSING TRANSIENT KILLED HER FOR THE MONEY. 174 00:16:21,806 --> 00:16:23,166 PROBABLY HALFWAY TO PHOENIX BY NOW. 175 00:16:23,243 --> 00:16:24,984 YOU SHOULD'VE BEEN A DETECTIVE. 176 00:16:25,114 --> 00:16:28,422 LOOK, DETECTIVE GREGORY, I DON'T INTEND TO ARGUE WITH YOU. 177 00:16:28,552 --> 00:16:31,468 AS HEAD OF THE CITY COUNCIL, 178 00:16:31,599 --> 00:16:33,688 I DEMAND YOU REOPEN THE VILLAGE IMMEDIATELY. 179 00:16:33,818 --> 00:16:37,257 THE VILLAGE WILL BE REOPENED ONCE WE COMPLETE THE SEARCH AND NOT A MINUTE BEFORE. 180 00:16:39,389 --> 00:16:42,131 I'M GOING TO THE CHIEF OF POLICE WITH THIS. 181 00:16:42,262 --> 00:16:45,656 YOU DO THAT. I'M ACTING ON HIS AUTHORITY. 182 00:16:52,185 --> 00:16:54,491 NOW, THAT IS A MEAN MAN TO HAVE AGAINST YOU. 183 00:16:54,622 --> 00:16:57,016 HE PACKS A LOT OF POWER IN THIS TOWN. 184 00:16:57,146 --> 00:16:59,801 I WASN'T HIRED TO PROMOTE LOCAL BUSINESS, ALL RIGHT? 185 00:16:59,931 --> 00:17:01,498 COME ON, WE GOT A KILLER TO CATCH. 186 00:17:01,629 --> 00:17:04,719 JUST WALK SOFT AROUND THE MAN, THAT'S ALL I'M SAYING. 187 00:17:04,849 --> 00:17:06,460 I GOT IT. 188 00:17:09,506 --> 00:17:12,988 Man: OFFICER BARLOW, CHECK OUT THE CHAMBER OF HORRORS. 189 00:17:13,119 --> 00:17:15,034 ANMAR, EDWARDS, CAHILL, 190 00:17:15,164 --> 00:17:18,341 COVER THE OTHER SHOPS ALONG THAT SIDE. 191 00:19:07,929 --> 00:19:09,887 THIS CAME FROM UNDER THE NAIL 192 00:19:10,018 --> 00:19:11,889 OF THE DECEASED'S RIGHT FOREFINGER. 193 00:19:12,020 --> 00:19:14,109 WHAT ABOUT THE CLOTHING IT CAME FROM? 194 00:19:14,240 --> 00:19:15,545 YOU GOT ANYTHING ON THAT? 195 00:19:15,676 --> 00:19:17,852 NOT YET. WE'RE SENDING A FIBER SAMPLE DOWN TO PHOENIX. 196 00:19:17,982 --> 00:19:21,290 THEY SHOULD BE ABLE TO HELP US, BUT LET ME SHOW YOU SOMETHING. 197 00:19:25,903 --> 00:19:27,296 TAKE A LOOK AT THIS. 198 00:19:28,950 --> 00:19:31,735 THAT'S BLOOD FROM ALICE WILLIAMSON. 199 00:19:31,866 --> 00:19:33,172 SO? 200 00:19:33,302 --> 00:19:34,912 SO CHECK THIS... 201 00:19:36,697 --> 00:19:38,699 THAT'S BLOOD, TOO, BUT NOT HERS. 202 00:19:38,829 --> 00:19:40,179 YET IT CAME FROM THE SAME BLADE. 203 00:19:40,309 --> 00:19:42,529 A FRAGMENT MUST HAVE ADHERED TO HER THROAT. 204 00:19:42,659 --> 00:19:45,967 SO IT'S POSSIBLE THIS GUY'S KILLED BEFORE USING THE SAME WEAPON... 205 00:19:46,097 --> 00:19:50,232 COULD BE. KILLER COULD HAVE CUT HIMSELF. BLOOD COULD BE HIS. 206 00:19:50,363 --> 00:19:52,800 BUT I DON'T MAKE GUESSES. THAT'S YOUR DEPARTMENT. 207 00:19:52,930 --> 00:19:55,977 HA. THANKS A LOT. I'll SEE YOU AROUND. 208 00:19:59,023 --> 00:20:00,895 YOU'LL LET US KNOW WHEN YOU HEAR FROM PHOENIX? 209 00:20:01,025 --> 00:20:02,288 YOU GOT IT. 210 00:20:18,478 --> 00:20:19,957 DETECTIVE GREGORY... 211 00:20:20,088 --> 00:20:23,265 I'M ELAINE GARDENER FROM THE SAN FRANCISCO DISPATCH. 212 00:20:23,396 --> 00:20:25,267 I'VE BEEN WAITING HERE TO TALK WITH YOU. 213 00:20:25,398 --> 00:20:26,268 HOW'D YOU GET MY ADDRESS? 214 00:20:26,399 --> 00:20:28,314 FROM DETECTIVE NEZ. 215 00:20:28,444 --> 00:20:31,360 I TOLD HIM I NEEDED TO SPEAK TO YOU AFTER YOU GOT OFF FROM WORK. 216 00:20:31,491 --> 00:20:32,361 WHAT ABOUT? 217 00:20:32,492 --> 00:20:33,797 THE WILLIAMSON MURDER. 218 00:20:33,928 --> 00:20:35,799 I'M LOOKING FOR PERSONAL ANGLES. 219 00:20:35,930 --> 00:20:39,020 AND SINCE YOU'RE THE OFFICER IN CHARGE OF THE INVESTIGATION... 220 00:20:39,150 --> 00:20:42,241 WEREN'T YOU AT THE BRIDGE DEDICATION YESTERDAY? 221 00:20:42,371 --> 00:20:45,722 THAT'S WHAT ORIGINALLY BROUGHT ME DOWN HERE, THE BRIDGE STORY, 222 00:20:45,853 --> 00:20:49,683 BUT FOR THIS TRIP, I'M ENDING UP WITH A MUCH BETTER ONE. 223 00:20:49,813 --> 00:20:52,033 CAN WE TALK INSIDE? 224 00:20:52,163 --> 00:20:54,992 I'D APPRECIATE GETTING YOUR VIEWS ON THIS CASE. 225 00:20:55,123 --> 00:20:56,994 AS LONG AS WHAT I SAY IS OFF THE RECORD. 226 00:20:57,125 --> 00:21:00,259 I DON'T WANNA BE QUOTED. AGREED? 227 00:21:00,389 --> 00:21:02,522 AGREED. 228 00:21:02,652 --> 00:21:04,915 NOW CAN WE GO INSIDE? 229 00:21:05,046 --> 00:21:07,266 YEAH, SURE. COME ON. I'M DOWN HERE AT THE END. 230 00:21:07,396 --> 00:21:08,484 ALL RIGHT. 231 00:22:59,029 --> 00:23:01,423 OH, THERE YOU ARE. BOY, DID WE SCREW UP. 232 00:23:01,554 --> 00:23:02,554 WHAT DO YOU MEAN? 233 00:23:03,643 --> 00:23:05,011 I SHOULD'VE NEVER GIVEN THAT REPORTER YOUR ADDRESS, 234 00:23:05,035 --> 00:23:07,429 AND YOU SHOULD'VE NEVER TALKED TO HER. 235 00:23:07,560 --> 00:23:09,040 IT'S OKAY, PAL, IT WAS OFF THE RECORD. 236 00:23:09,170 --> 00:23:10,563 THAT'S WHAT SHE SAID. 237 00:23:12,173 --> 00:23:13,173 DAMN IT. 238 00:23:13,261 --> 00:23:15,611 THE CHIEF IS VERY UPSET. 239 00:23:15,742 --> 00:23:17,439 I CAN'T UNDERSTAND WHY. 240 00:23:17,570 --> 00:23:19,354 HE WANTS TO SEE YOU.MM-HMM. 241 00:23:19,485 --> 00:23:20,964 NOW.NOW? 242 00:23:22,618 --> 00:23:24,141 NOW. 243 00:23:34,151 --> 00:23:35,979 WHAT THE HELL IS THIS ALL ABOUT? 244 00:23:37,938 --> 00:23:40,070 I ANSWERED SOME QUESTIONS OFF THE RECORD, 245 00:23:40,201 --> 00:23:41,855 AND THE LADY PROMISED NOT TO QUOTE ME. 246 00:23:41,985 --> 00:23:44,161 SIT DOWN. WHITFIELD AND HIS CITY-COUNCIL PEOPLE 247 00:23:44,292 --> 00:23:46,120 ARE CONVINCED THIS WAS A RANDOM KILLING. 248 00:23:46,250 --> 00:23:48,818 YOU COME OUT WITH THIS PIECE REJECTING THEIR THEORY. 249 00:23:48,949 --> 00:23:50,951 I TOLD HER THE WAY I SEE IT. 250 00:23:51,081 --> 00:23:52,692 AND JUST HOW'S THAT? 251 00:23:52,822 --> 00:23:55,042 THERE'S SOMETHING WEIRD ABOUT THIS MURDER. 252 00:23:55,172 --> 00:23:57,174 I DON'T THINK ALICE WILLIAMSON WAS KILLED 253 00:23:57,305 --> 00:23:58,741 FOR THE MONEY IN HER PURSE. 254 00:23:58,872 --> 00:24:00,439 WHAT MAKES YOU SAY THAT? 255 00:24:00,569 --> 00:24:02,658 TRUE CRIME HAPPENS TO BE A HOBBY OF MINE. 256 00:24:02,789 --> 00:24:04,530 I'VE BEEN A STUDENT OF CRIMINAL BEHAVIOR 257 00:24:04,660 --> 00:24:05,660 ALL MY LIFE. 258 00:24:06,662 --> 00:24:09,099 I'M TELLING YOU, THE M.O. IS ALL WRONG HERE. 259 00:24:09,230 --> 00:24:10,947 IF THIS WAS SOME ROAD BUM OUT TO SCORE A PURSE, 260 00:24:10,971 --> 00:24:14,496 HE'D CLUB HIS VICTIM OR FLASH A KNIFE TO SCARE HER. 261 00:24:14,627 --> 00:24:16,106 HE WOULDN'T CUT HER THROAT. 262 00:24:16,237 --> 00:24:17,499 THAT'S A THEORY, GREGORY! 263 00:24:17,630 --> 00:24:19,550 THAT'S ALL IT IS, A THEORY, AND IT'S YOUR THEORY. 264 00:24:19,675 --> 00:24:22,243 I DON'T WANNA SEE YOUR THEORIES IN THE NEWSPAPER, ALL RIGHT?! 265 00:24:22,373 --> 00:24:23,984 THIS IS LAKE HAVASU, NOT CHICAGO. 266 00:24:24,114 --> 00:24:25,855 AROUND HERE, WE DO THINGS MY WAY. 267 00:24:25,986 --> 00:24:28,510 IT'S NO BIG DEAL. WE JUST DO 'EM MY WAY. 268 00:24:28,641 --> 00:24:32,166 HEY, YOU READ ME, DON'T YOU? 269 00:24:32,296 --> 00:24:33,602 LOUD AND CLEAR. 270 00:24:33,733 --> 00:24:35,517 GOOD. OUT. 271 00:24:41,741 --> 00:24:43,482 YEAH. 272 00:24:43,612 --> 00:24:46,049 WE GOT THE LAB REPORT IN FROM PHOENIX. AND... 273 00:24:46,180 --> 00:24:47,964 A LITTLE SPOOKY. 274 00:24:48,095 --> 00:24:50,184 I DOUBLE-CHECKED, AND WHAT THEY FOUND... 275 00:24:50,314 --> 00:24:52,186 IS WHAT THEY FOUND. 276 00:24:52,316 --> 00:24:53,535 YOU'D BETTER GET OVER HERE. 277 00:24:53,666 --> 00:24:56,582 OKAY, I'M HOOKED. BE RIGHT THERE. 278 00:24:59,367 --> 00:25:00,586 HI. 279 00:25:00,716 --> 00:25:01,716 HI. 280 00:25:02,718 --> 00:25:04,938 HERE'S THE REPORT. 281 00:25:05,068 --> 00:25:07,288 THIS IS THE SPOOKY PART. 282 00:25:10,944 --> 00:25:12,554 YEAH, I SEE WHAT YOU MEAN. 283 00:25:14,687 --> 00:25:17,254 THEY'RE CERTAIN THIS FABRIC COMES FROM THE LAST CENTURY? 284 00:25:17,385 --> 00:25:21,563 ABSOLUTELY. WE DON'T HAVE THE LAB EQUIPMENT FOR DATING FABRIC HERE, 285 00:25:21,694 --> 00:25:23,522 BUT PHOENIX DOES, AND I DID DOUBLE-CHECK. 286 00:25:23,652 --> 00:25:25,524 IT'S JUST THAT YOUR EVERYDAY KILLER 287 00:25:25,654 --> 00:25:27,632 DOESN'T RUN AROUND WEARING HUNDRED-YEAR-OLD CLOTHES. 288 00:25:27,656 --> 00:25:29,136 THAT'S NOT ALL. THERE'S THE BLOOD. 289 00:25:29,266 --> 00:25:30,790 YOU MEAN FROM ALICE WILLIAMSON. 290 00:25:30,920 --> 00:25:33,619 NO. THE OTHER FRAGMENT WE FOUND ON HER THROAT. 291 00:25:33,749 --> 00:25:35,185 WHAT ABOUT IT? 292 00:25:35,316 --> 00:25:39,015 JUDGING FROM THE TEXTURE AND THE COLORATION 293 00:25:39,146 --> 00:25:41,148 AND THE GENERAL COMPOSITION OF THE FRAGMENT, 294 00:25:41,278 --> 00:25:42,976 IT'S OLD BLOOD. 295 00:25:43,106 --> 00:25:45,979 HOW OLD? 296 00:25:46,109 --> 00:25:48,111 THERE'S NO WAY TO TELL FOR CERTAIN. 297 00:25:48,242 --> 00:25:50,853 YOU CAN'T DATE BLOOD THE WAY YOU CAN CLOTH, 298 00:25:50,984 --> 00:25:53,595 BUT IF YOU WANT A BALLPARK ESTIMATE, 299 00:25:53,726 --> 00:25:57,643 IT'S POSSIBLE IT'S ALSO FROM THE LAST CENTURY. 300 00:25:57,773 --> 00:26:00,820 HUNDRED-YEAR-OLD BLOOD? 301 00:26:02,343 --> 00:26:05,085 DON'T QUOTE ME. THAT'S STRICTLY UNOFFICIAL. 302 00:26:05,215 --> 00:26:07,522 LIKE YOU SAID, SPOOKY. 303 00:26:07,653 --> 00:26:10,220 I'll SEE YOU. THANKS A LOT. 304 00:26:46,779 --> 00:26:49,042 I THOUGHT MAYBE YOU WANTED A RIDE HOME. 305 00:26:49,172 --> 00:26:50,739 YES, THANK YOU. 306 00:26:50,870 --> 00:26:52,349 SORRY. 307 00:26:52,480 --> 00:26:53,829 COME ON. 308 00:26:57,180 --> 00:26:59,269 SO, YOU'RE CHECKING OUT AGAIN. 309 00:26:59,400 --> 00:27:02,185 THAT'S RIGHT. HOW MUCH DO I OWE YOU THIS TIME? 310 00:27:02,316 --> 00:27:04,236 YOU KNOW, YOU'RE GETTING TO BE OUR BEST CUSTOMER, 311 00:27:04,318 --> 00:27:05,972 COMING AND GOING THE WAY YOU DO. 312 00:27:06,102 --> 00:27:08,801 I KNOW. THREE TRIPS DOWN HERE IN THE SAME MONTH. 313 00:27:08,931 --> 00:27:11,412 I THINK I'VE TALKED TO EVERYONE I NEED TO. 314 00:27:11,542 --> 00:27:13,327 ARE YOU DOING ANOTHER STORY ABOUT THE MURDER 315 00:27:13,457 --> 00:27:15,285 FOR THAT NEWSPAPER OF YOURS? 316 00:27:15,416 --> 00:27:19,812 NO. THIS ONE'S A FEATURE FOR A MAJOR NEW YORK MAGAZINE. 317 00:27:19,942 --> 00:27:21,291 AN EXCLUSIVE. 318 00:27:21,422 --> 00:27:23,206 WOULD YOU LIKE ME TO CALL YOU A CAB? 319 00:27:23,337 --> 00:27:26,775 NO, THANKS. I'M NOT GOING TO THE AIRPORT QUITE YET. 320 00:27:26,906 --> 00:27:30,344 I WANNA PROWL AROUND SOME MORE, KIND OF GET ONE LAST IMPRESSION. 321 00:27:30,474 --> 00:27:33,739 SUIT YOURSELF. BYE-BYE. 322 00:27:33,869 --> 00:27:35,697 BYE. 323 00:27:35,828 --> 00:27:39,048 LISTEN, YOU BE CAREFUL, YOU HEAR? 324 00:28:37,193 --> 00:28:39,848 HERE IN THE SHADOW OF THIS ANCIENT BRIDGE 325 00:28:39,979 --> 00:28:42,851 AT THIS PLACE OF VIOLENT MURDER, 326 00:28:42,982 --> 00:28:47,508 IT'S EASY TO IMAGINE HOW ALICE WILLIAMSON MUST'VE FELT... 327 00:28:47,638 --> 00:28:52,469 WITH THE KILLER STALKING HER IN THE DARKNESS. 328 00:28:52,600 --> 00:28:55,081 I CAN FEEL THE... 329 00:29:05,308 --> 00:29:08,834 I CAN FEEL THE VIBRATIONS OF DEATH HERE. 330 00:29:08,964 --> 00:29:13,447 WALKING THESE DARK STREETS ALONE HERE IN THE VILLAGE 331 00:29:13,577 --> 00:29:16,232 IS LIKE BEING PART OF ANOTHER ERA, 332 00:29:16,363 --> 00:29:19,540 ANOTHER CENTURY... 333 00:29:19,670 --> 00:29:24,240 A VIOLENT TIME OF DISEASE, STARVATION, AND MURDER... 334 00:29:24,371 --> 00:29:27,200 AAH! 335 00:30:06,587 --> 00:30:07,588 YOU ALL RIGHT? 336 00:30:09,068 --> 00:30:11,984 I'M SORRY. I GOT CARRIED AWAY. 337 00:30:13,246 --> 00:30:16,902 YOU? I ALMOST GOT CARRIED AWAY. 338 00:30:17,032 --> 00:30:20,035 WHERE THE HELL DID YOU LEARN HOW TO BOX LIKE THAT? 339 00:30:20,166 --> 00:30:22,821 SOUTH SIDE OF CHICAGO. YOU LEARN REAL FAST. 340 00:30:22,951 --> 00:30:23,996 YEAH? 341 00:30:24,126 --> 00:30:27,173 WAIT, WAIT. YOU SURE YOU'RE OKAY? 342 00:30:27,303 --> 00:30:29,044 YEAH! 343 00:30:29,175 --> 00:30:31,177 THE LOCKER ROOM'S THIS WAY. 344 00:30:35,224 --> 00:30:36,356 I KNOW. 345 00:30:42,666 --> 00:30:45,844 YOU WERE PRETTY INTENSE OUT THERE. 346 00:30:45,974 --> 00:30:48,020 SOMETHING BUGGING YOU? 347 00:30:48,150 --> 00:30:51,153 THAT REPORTER WHO GOT ME IN TROUBLE WITH DAWSON. 348 00:30:51,284 --> 00:30:52,851 WHAT ABOUT HER? 349 00:30:52,981 --> 00:30:55,331 SHE CAME BACK IN TOWN AGAIN. LEFT A MESSAGE ON MY MACHINE 350 00:30:55,462 --> 00:30:57,899 THAT SHE WANTED TO APOLOGIZE FOR THE NEWS STORY. 351 00:30:58,030 --> 00:31:00,597 ASKED ME TO PHONE HER AT THE MOTEL. 352 00:31:00,728 --> 00:31:02,164 SO DID YOU? 353 00:31:02,295 --> 00:31:05,515 YEAH, I DID. COULDN'T REACH HER. 354 00:31:05,646 --> 00:31:09,128 I CHECKED BACK THIS MORNING. SHE LEFT AGAIN LAST NIGHT. 355 00:31:10,433 --> 00:31:12,914 GONE BACK TO 'FRISCO. 356 00:31:13,045 --> 00:31:15,482 THAT'S WHAT I FIGURED, SO I PHONED UP THERE. 357 00:31:15,612 --> 00:31:18,354 THEY HAVEN'T HEARD FROM HER. THEY DON'T KNOW WHERE SHE IS. 358 00:31:18,485 --> 00:31:22,663 SHE TOOK OFF ON ANOTHER STORY. REPORTERS DO THAT, YOU KNOW. 359 00:31:22,793 --> 00:31:26,362 MAYBE, BUT SHE DIDN'T USE A RENTAL CAR. 360 00:31:26,493 --> 00:31:30,976 NONE OF THE LOCAL CABBIES REMEMBER DRIVING HER TO AIRPORT. 361 00:31:31,106 --> 00:31:33,413 THINK SHE'S STILL IN TOWN? 362 00:31:33,543 --> 00:31:36,068 I DON'T KNOW. I HOPE SHE DIDN'T RUN INTO THE SAME WEIRDO 363 00:31:36,198 --> 00:31:38,157 ALICE WILLIAMSON DID. 364 00:31:38,287 --> 00:31:41,334 HEY, WILL YOU LISTEN TO YOURSELF? 365 00:31:41,464 --> 00:31:43,989 YOU'RE LETTING THE WILLIAMSON CASE GET TO YOU. 366 00:31:44,119 --> 00:31:47,035 YOU COME OUT HERE FROM CHICAGO TO EASE UP ON YOUR LIFE, 367 00:31:47,166 --> 00:31:49,690 SO TAKE ADVANTAGE OF WHAT WE GOT AROUND HERE... 368 00:31:49,820 --> 00:31:54,173 WE GOT THE MOUNTAINS, THE LAKE, THE DESERT. 369 00:31:54,303 --> 00:31:57,219 THE ONLY THING YOU'VE SEEN IS THE BACK OF YOUR DESK. 370 00:31:57,350 --> 00:31:59,004 WHAT DO YOU SAY? 371 00:31:59,134 --> 00:32:00,875 HONESTLY, I THINK YOU'RE ABSOLUTELY RIGHT. 372 00:32:01,006 --> 00:32:02,877 I COULD USE SOME R and R. 373 00:32:03,008 --> 00:32:05,227 ALL RIGHT. OKAY, THANKS. 374 00:32:05,358 --> 00:32:08,883 I THINK I KNOW JUST WHO TO CALL. 375 00:32:20,329 --> 00:32:21,635 HELLO. 376 00:32:21,765 --> 00:32:23,419 HI. IT'S DON GREGORY. 377 00:32:23,550 --> 00:32:29,034 DETECTIVE GREGORY, YEAH. IS THIS ANOTHER OFFICIAL CALL? 378 00:32:29,164 --> 00:32:30,209 NOPE. IT'S A PERSONAL ONE. 379 00:32:31,340 --> 00:32:33,188 WANNA MAKE A RESERVATION ON YOUR BOAT FOR WEDNESDAY. 380 00:32:33,212 --> 00:32:34,256 YOU WANNA FISH? 381 00:32:34,387 --> 00:32:35,997 I SURE DO. 382 00:32:36,128 --> 00:32:38,043 HAVE YOU DONE MUCH FISHING? 383 00:32:38,173 --> 00:32:40,306 ARE YOU KIDDING? I'M AN OLD LAKE MICHIGAN BOY. 384 00:32:40,436 --> 00:32:42,438 JUST BE AT THE MARINA ABOUT 8:00. 385 00:32:42,569 --> 00:32:45,093 WE LEAVE AT 8:15 SHARP. GOT IT? 386 00:32:45,224 --> 00:32:47,356 YOU GOT IT. I'll BE THERE. 387 00:33:07,637 --> 00:33:09,465 OH, CAN I HELP YOU? 388 00:33:09,596 --> 00:33:11,772 I'M IN NEED OF LODGING. YOU HAVE ROOMS? 389 00:33:11,902 --> 00:33:13,948 SURE DO. HOW LONG DO YOU PLAN ON STAYING? 390 00:33:14,079 --> 00:33:15,471 A WHILE. 391 00:33:15,602 --> 00:33:17,734 OH... WOULD YOU MIND REGISTERING, SIR? 392 00:33:17,865 --> 00:33:19,475 JUST YOUR NAME AND ADDRESS, PLEASE. 393 00:33:32,575 --> 00:33:34,142 NO HOME ADDRESS? 394 00:33:34,273 --> 00:33:38,668 I'M FROM OVERSEAS. I'M JUST VISITING YOUR COUNTRY. 395 00:33:38,799 --> 00:33:40,627 OH, FIRST TIME OVER HERE? 396 00:33:40,757 --> 00:33:44,631 YES... MY FIRST. 397 00:33:45,762 --> 00:33:48,374 WELL, HERE'S YOUR KEY. 398 00:33:48,504 --> 00:33:50,463 NUMBER TEN... JUST DOWN A FEW DOORS. 399 00:35:34,262 --> 00:35:35,262 GOOD DAY. 400 00:35:35,307 --> 00:35:36,482 HELLO. 401 00:35:36,612 --> 00:35:39,441 MY NAME IS ROGER EDDINGTON, AND YOU ARE...? 402 00:35:39,572 --> 00:35:40,573 LYN CHANDLER. 403 00:35:40,703 --> 00:35:42,836 A PLEASURE. 404 00:35:42,966 --> 00:35:46,274 AND YOU ARE THE LIBRARIAN HERE? 405 00:35:46,405 --> 00:35:48,363 YES, THAT'S RIGHT. 406 00:35:48,494 --> 00:35:50,496 I HAPPEN TO BE FASCINATED WITH THE PAST. 407 00:35:50,626 --> 00:35:53,325 WOULD YOU HAVE ANYTHING ON MODERN AMERICAN HISTORY? 408 00:35:53,455 --> 00:35:56,893 OF COURSE. OUR HISTORY SECTION IS RIGHT THERE IN SECTION "D." 409 00:35:57,024 --> 00:35:58,417 TO THE LEFT. 410 00:36:02,029 --> 00:36:03,857 WOULD YOU LIKE ME TO SHOW YOU? 411 00:36:03,987 --> 00:36:06,599 HOW VERY KIND OF YOU. 412 00:36:09,776 --> 00:36:11,821 I HOPE YOU DON'T MIND MY SAYING SO, 413 00:36:11,952 --> 00:36:15,216 BUT I LOVE YOUR ENGLISH ACCENT. 414 00:36:15,347 --> 00:36:17,305 I TAKE IT YOU WORK IN THE VILLAGE? 415 00:36:17,436 --> 00:36:20,874 MY CLOTHES. AH, YES, I AM ONE OF THE BRITISHERS 416 00:36:21,004 --> 00:36:23,224 RECENTLY IMPORTED TO YOUR FAIR CITY 417 00:36:23,355 --> 00:36:27,489 TO, SHALL WE SAY, HELP AUTHENTICATE THE ATMOSPHERE. 418 00:36:27,620 --> 00:36:30,188 AT LEAST THE WAGE IS ATTRACTIVE. 419 00:36:30,318 --> 00:36:32,233 OH, YOU DON'T LIKE IT HERE? 420 00:36:32,364 --> 00:36:35,367 I MISS LONDON TERRIBLY. 421 00:36:35,497 --> 00:36:37,282 AND I MAY AS WELL CONFESS IT... 422 00:36:37,412 --> 00:36:40,372 I'M QUITE LONELY HERE IN YOUR SUNNY ARIZONA. 423 00:36:40,502 --> 00:36:45,855 DINING ALONE, FOR INSTANCE. IT'S MOST DISAGREEABLE. 424 00:36:45,986 --> 00:36:50,425 PERHAPS AT SOME FUTURE TIME, WE MIGHT DINE TOGETHER. 425 00:36:50,556 --> 00:36:52,427 OR AM I BEING TOO FORWARD? 426 00:36:52,558 --> 00:36:54,473 NO. 427 00:36:54,603 --> 00:37:00,566 UH, NO, NO. I THINK THAT WOULD BE VERY NICE. 428 00:37:00,696 --> 00:37:01,871 SPLENDID. 429 00:37:04,004 --> 00:37:05,745 I REALLY MUST BE GOING. 430 00:37:05,875 --> 00:37:07,747 I DIDN'T REALIZE IT WAS SO LATE. 431 00:37:07,877 --> 00:37:10,271 NO TIME FOR HISTORY TODAY, I FEAR. 432 00:37:10,402 --> 00:37:12,839 OH, WELL, THE BOOKS ARE HERE. 433 00:37:12,969 --> 00:37:16,321 THEY'LL BE WAITING FOR YOU WHEN YOU WANT THEM. 434 00:37:16,451 --> 00:37:17,844 THANK YOU. 435 00:37:19,149 --> 00:37:21,978 I VERY MUCH ENJOYED OUR CONVERSATION. 436 00:37:23,371 --> 00:37:24,720 SO DID I. 437 00:37:34,469 --> 00:37:36,297 HEY. HI. 438 00:37:36,428 --> 00:37:37,579 THOSE THE BOOKS I ORDERED FROM PHOENIX? 439 00:37:37,603 --> 00:37:39,909 YEAH. THEY JUST CAME IN THIS MORNING. 440 00:37:40,040 --> 00:37:41,563 I WAS JUST GONNA CALL YOU. 441 00:37:41,694 --> 00:37:42,956 HERE'S MY CARD. 442 00:37:43,086 --> 00:37:45,437 I KNOW WHO YOU ARE. 443 00:37:45,567 --> 00:37:48,962 SO, YOU'RE GOING OUT WITH ANGIE ON THE BOAT, HUH? 444 00:37:49,092 --> 00:37:50,964 HOW'D YOU KNOW THAT? 445 00:37:51,094 --> 00:37:53,749 OH, WE'RE OLD PALS. SHE MENTIONED YOUR CALL. 446 00:37:53,880 --> 00:37:57,579 I'M GOING ON WEDNESDAY. GIVE IT A TRY. 447 00:37:57,710 --> 00:37:58,754 GOOD LUCK. 448 00:37:58,885 --> 00:38:00,321 THANK YOU. 449 00:38:03,629 --> 00:38:05,239 HOWDY. 450 00:38:05,370 --> 00:38:08,373 HI. WHERE'S YOUR GEAR? 451 00:38:08,503 --> 00:38:11,680 BACK IN CHICAGO. YOU DO RENT EQUIPMENT, DON'T YOU? 452 00:38:11,811 --> 00:38:13,943 SURE WE DO. NO PROBLEM. EVEN GOT THE BAIT. 453 00:38:14,074 --> 00:38:15,074 TERRIFIC. 454 00:38:16,076 --> 00:38:17,488 GET THE STERN LINE, WILL YOU? YOU GOT IT. 455 00:38:17,512 --> 00:38:18,121 EXCUSE ME. 456 00:38:18,252 --> 00:38:20,646 THAT'S THE STERN LINE. 457 00:38:20,776 --> 00:38:22,430 AH... I KNEW THAT. 458 00:38:22,561 --> 00:38:24,650 UH-HUH. 459 00:38:27,479 --> 00:38:29,002 OKAY, WE'RE OFF. 460 00:38:29,132 --> 00:38:32,440 TOM HALE. THIS IS MY WIFE LUCY. 461 00:38:32,571 --> 00:38:34,050 DON GREGORY. HOW YOU DOING? 462 00:38:34,181 --> 00:38:36,618 LOOKS LIKE A GOOD DAY FOR FISHING. YOU'RE AN OLD HAND, HUH? 463 00:38:36,749 --> 00:38:39,012 YEAH, I'M AN OLD HAND. 464 00:38:49,762 --> 00:38:52,025 YOU GOT ONE OF THOSE... 465 00:38:52,155 --> 00:38:53,940 HA. ONE OF THOSE. 466 00:38:54,070 --> 00:38:55,376 UH-HUH. 467 00:38:55,507 --> 00:38:59,772 AI, AI, AI, AI. 468 00:38:59,902 --> 00:39:02,078 AN OLD LAKE MICHIGAN BOY, HUH? 469 00:39:02,209 --> 00:39:06,561 I LIED. I'VE NEVER BEEN FISHING BEFORE IN MY LIFE. 470 00:39:06,692 --> 00:39:08,084 THEN WHY ARE YOU OUT HERE? 471 00:39:08,215 --> 00:39:13,089 SIMPLE. I WANTED TO SEE YOU AGAIN, GET TO KNOW YOU. 472 00:39:13,220 --> 00:39:15,135 YOU'RE NOT MARRIED, ARE YOU? 473 00:39:15,265 --> 00:39:18,356 NO, I'M NOT. BEEN CLOSE A COUPLE TIMES. 474 00:39:18,486 --> 00:39:22,011 I JUST HAD A RELATIONSHIP BREAK UP BEFORE I CAME OUT HERE. 475 00:39:22,142 --> 00:39:24,710 YOU LEAVE HER, OR DID SHE LEAVE YOU? 476 00:39:24,840 --> 00:39:27,016 LITTLE BIT OF BOTH, I GUESS. 477 00:39:27,147 --> 00:39:29,889 SOMETHING HAPPENED ON THE JOB IN CHICAGO, 478 00:39:30,019 --> 00:39:31,325 AND SHE COULDN'T HANDLE IT. 479 00:39:31,456 --> 00:39:33,109 HOW ABOUT YOU? 480 00:39:33,240 --> 00:39:35,024 MY HUSBAND DIED ABOUT THREE YEARS AGO. 481 00:39:35,155 --> 00:39:36,548 I'M SORRY. 482 00:39:36,678 --> 00:39:38,680 ROUGH, HUH? 483 00:39:38,811 --> 00:39:41,379 YEAH, IT WAS FOR A WHILE, ANYWAY. 484 00:39:41,509 --> 00:39:44,469 AFTER HIS DEATH, I WENT AND LIVED WITH MY SISTER IN PHOENIX. 485 00:39:44,599 --> 00:39:46,688 AND THEN I CAME OUT HERE. 486 00:39:46,819 --> 00:39:51,345 I GOT USED TO BEING ALONE. NOW I LIKE IT. 487 00:39:51,476 --> 00:39:53,521 HEY, I GOT ONE. 488 00:40:02,138 --> 00:40:03,749 WHO'S THERE? 489 00:40:03,879 --> 00:40:05,098 IT'S ME. 490 00:40:05,228 --> 00:40:07,840 OH. COME ON IN. I'M ALMOST FINISHED. 491 00:40:07,970 --> 00:40:09,015 HI. 492 00:40:09,145 --> 00:40:11,713 SO, HOW DID IT GO? 493 00:40:11,844 --> 00:40:13,411 HOW'D WHAT GO? 494 00:40:13,541 --> 00:40:15,587 YOUR DATE WITH DON GREGORY. 495 00:40:15,717 --> 00:40:18,111 MY DATE. HE PAYS ME TO TAKE HIM FISHING, 496 00:40:18,241 --> 00:40:19,678 AND HE CAN'T EVEN FISH. 497 00:40:19,808 --> 00:40:22,071 PROVES IT WAS A DATE. HE WAS FISHING FOR YOU. 498 00:40:22,202 --> 00:40:25,031 MM-HMM. YOU ADMIT IT. 499 00:40:27,903 --> 00:40:29,862 HE IS REALLY A NICE GUY. 500 00:40:32,081 --> 00:40:35,433 I GET THE FEELING THINGS MOVE A LITTLE FASTER IN CHICAGO. 501 00:40:35,563 --> 00:40:37,130 OH, ANGIE, WHAT'S HOLDING YOU BACK? 502 00:40:37,260 --> 00:40:39,611 I DON'T KNOW. 503 00:40:41,700 --> 00:40:44,746 I DON'T THINK I'M READY FOR ANOTHER HEAVY RELATIONSHIP RIGHT NOW, 504 00:40:44,877 --> 00:40:47,488 ESPECIALLY WITH A CHICAGO COP. 505 00:40:47,619 --> 00:40:48,619 LAKE HAVASU COP. 506 00:40:48,663 --> 00:40:50,448 HE ASKED ME TO GO RIDING WITH HIM. 507 00:40:50,578 --> 00:40:51,884 YOU GOING? 508 00:40:52,014 --> 00:40:53,146 MAYBE. 509 00:40:55,191 --> 00:40:56,802 MAYBE NOT. 510 00:40:57,890 --> 00:40:59,587 SO HOW'S YOUR LOVE LIFE? 511 00:40:59,718 --> 00:41:01,241 PLEASE. 512 00:41:02,721 --> 00:41:04,940 BUT IT COULD BE ABOUT TO IMPROVE. 513 00:41:05,071 --> 00:41:07,508 I JUST MET THIS VERY BRITISH GUY, 514 00:41:07,639 --> 00:41:09,467 ACCENT AND EVERYTHING. 515 00:41:09,597 --> 00:41:11,773 TALKED ABOUT INVITING ME OUT FOR DINNER. 516 00:41:11,904 --> 00:41:13,993 TALKED ABOUT IT? WHAT DOES THAT MEAN? 517 00:41:14,123 --> 00:41:16,212 YOU KNOW HOW RESERVED THE BRITISH ARE. 518 00:41:16,343 --> 00:41:20,478 I THINK THE NEXT TIME HE COMES IN FOR SOME BOOKS, HE'LL ASK ME OUT. 519 00:41:20,608 --> 00:41:22,168 SAID HE WAS REAL LONELY HERE IN ARIZONA. 520 00:41:22,262 --> 00:41:23,611 DOES HE WORK HERE IN THE VILLAGE? 521 00:41:23,742 --> 00:41:26,875 YEAH. AND MY MOTHER'S BIRTHDAY IS COMING UP, 522 00:41:27,006 --> 00:41:29,008 SO I'll PROBABLY END UP THERE. 523 00:41:29,138 --> 00:41:30,488 OH, THAT'LL BE CONVENIENT. 524 00:41:30,618 --> 00:41:32,968 YES. I MAY JUST BUMP INTO HIM. 525 00:41:34,187 --> 00:41:37,451 WHO KNOWS? MAYBE WE'LL BOTH GET LUCKY. 526 00:41:37,582 --> 00:41:39,148 YOU MEAN YOU'RE GOING RIDING? 527 00:41:39,279 --> 00:41:42,935 WELL, I'M CONSIDERING IT. 528 00:41:44,284 --> 00:41:46,634 I'M DONE CONSIDERING IT. I'M GOING. 529 00:42:11,137 --> 00:42:12,268 Woman: HAVASU SUN. 530 00:42:13,356 --> 00:42:15,576 SORRY, HE'S NOT AVAILABLE. HE'S IN A MEETING NOW. 531 00:42:15,707 --> 00:42:17,839 Man: HARRY, YOU GOT THAT SLUG FOR THE LEAD SHEET? 532 00:42:22,670 --> 00:42:24,803 SO WHY DON'T YOU TELL THE FOLKS, ED, 533 00:42:24,933 --> 00:42:28,676 THAT THERE'S NO FURTHER REASON TO FEAR ANY VIOLENCE HERE? 534 00:42:28,807 --> 00:42:31,026 THEN YOU'VE SOLVED THE AUGUST 7th MURDER? 535 00:42:31,157 --> 00:42:33,551 WE ARE ABSOLUTELY SATISFIED MRS. WILLIAMSON 536 00:42:33,681 --> 00:42:36,597 FELL VICTIM TO A RANDOM ACT, RANDOM. 537 00:42:36,728 --> 00:42:38,599 THAT MEANS THAT IT WON'T HAPPEN AGAIN. 538 00:42:38,730 --> 00:42:39,992 BUT YOU DON'T HAVE THE KILLER? 539 00:42:41,341 --> 00:42:43,362 ED, IF HE WERE STILL IN THE AREA, WE WOULD HAVE HIM BY NOW. 540 00:42:43,386 --> 00:42:44,910 THE GUY WAS A TRANSIENT. 541 00:42:46,259 --> 00:42:48,846 THAT MEANS THIS TYPE OF CRIMINAL... HE STRIKES, AND THEN HE SPLITS. 542 00:42:48,870 --> 00:42:52,613 I INTERVIEWED DETECTIVE GREGORY RIGHT AFTER THE CRIME. 543 00:42:52,744 --> 00:42:55,747 HE REJECTED THE THEORY OF A TRANSIENT KILLER. 544 00:42:55,877 --> 00:42:59,533 WELL, I THINK DON JUST ABOUT CHANGED HIS MIND ON THAT SCORE. 545 00:42:59,664 --> 00:43:01,840 WHAT DO YOU SAY, BUDDY BOY? 546 00:43:05,147 --> 00:43:08,194 IT'S POSSIBLE A TRANSIENT KILLED ALICE WILLIAMSON. 547 00:43:10,283 --> 00:43:13,242 IT'S THE ONLY LOGICAL ASSUMPTION, DON. 548 00:43:14,461 --> 00:43:16,855 WELL, THEN, THAT'S WHAT I'll WRITE. 549 00:43:16,985 --> 00:43:19,945 GOOD. THAT ABOUT WRAPS IT UP, THEN, ED. 550 00:43:20,075 --> 00:43:22,077 MUCH OBLIGED. WE'LL SEE YOU DOWN AT THE CLUB. 551 00:43:22,208 --> 00:43:24,776 COME ON. 552 00:43:24,906 --> 00:43:28,301 I WAS HOPING YOU'D BACK ME UP WITH A LITTLE MORE ENTHUSIASM. 553 00:43:28,431 --> 00:43:29,781 I'M NOT MUCH OF A POLITICIAN. 554 00:43:29,911 --> 00:43:31,913 I'M NOT ASKING FOR POLITICAL POSTURING. 555 00:43:32,044 --> 00:43:34,394 I'M ASKING FOR DEPARTMENTAL LOYALTY. 556 00:43:34,524 --> 00:43:37,223 THERE IS A DIFFERENCE, HOTSHOT. 557 00:43:40,095 --> 00:43:42,271 DAWSON HAS A RIGHT TO BE MAD. 558 00:43:42,402 --> 00:43:45,187 LOOK, THERE'S ABSOLUTELY NO REASON TO BELIEVE 559 00:43:45,318 --> 00:43:47,712 THAT THIS IS ANYTHING OTHER THAN A RANDOM KILLING. 560 00:43:47,842 --> 00:43:49,322 I GOT A REASON. 561 00:43:49,452 --> 00:43:50,932 YOUR VANISHING REPORTER? 562 00:43:51,063 --> 00:43:53,282 YEP. CALLED THE SAN FRANCISCO NEWSPAPER. 563 00:43:53,413 --> 00:43:56,721 SHE HASN'T SHOWED UP YET. STILL DON'T KNOW WHERE SHE IS. 564 00:43:56,851 --> 00:43:58,331 ARE THEY WORRIED? 565 00:43:58,461 --> 00:44:03,075 NO. SHE'S A FREELANCER. REALLY DOESN'T WORK THERE. 566 00:44:03,205 --> 00:44:05,294 SHE ZIPS AROUND CHASING STORIES. 567 00:44:05,425 --> 00:44:08,080 THERE YOU GO. NOW, IF THEY'RE NOT WORRIED, WHY ARE YOU? 568 00:44:08,210 --> 00:44:11,431 I'D JUST LIKE TO KNOW WHERE SHE IS. 569 00:44:46,945 --> 00:44:48,642 WHOA. WHOA. 570 00:44:48,773 --> 00:44:50,122 YOU WANNA STOP? 571 00:44:50,252 --> 00:44:52,820 I THOUGHT YOU'D NEVER ASK. 572 00:44:56,128 --> 00:44:58,217 FUN, HUH? 573 00:44:58,347 --> 00:45:00,828 I NEVER KNEW RIDING WAS SO MUCH WORK. 574 00:45:02,961 --> 00:45:04,484 YOU LIKE TO SHOOT? 575 00:45:06,529 --> 00:45:07,922 WHAT? 576 00:45:08,053 --> 00:45:10,925 TARGET SHOOT. KIND OF A HOBBY OF MINE. 577 00:45:11,056 --> 00:45:12,448 NOT TOO BAD AT IT, EITHER. 578 00:45:13,449 --> 00:45:15,234 COME ON. 579 00:45:26,985 --> 00:45:28,508 WHOA, WHOA, WHOA. 580 00:45:33,078 --> 00:45:36,342 WHAT DO YOU THINK, I GET ALL THREE FOR THREE, HUH? 581 00:45:36,472 --> 00:45:38,474 GO FOR IT. 582 00:45:43,088 --> 00:45:44,829 ONE... 583 00:45:53,925 --> 00:45:56,710 I DON'T BELIEVE I MISSED THAT. 584 00:45:56,841 --> 00:45:58,799 I DON'T BELIEVE I MISSED THE LAST ONE. 585 00:45:58,930 --> 00:46:00,279 THAT'S PRETTY GOOD. 586 00:46:00,409 --> 00:46:02,237 I'M NOT TOO BAD. 587 00:46:02,368 --> 00:46:03,499 WANNA GIVE IT A TRY? 588 00:46:03,630 --> 00:46:06,459 NO, THANKS, I'll PASS. 589 00:46:06,589 --> 00:46:10,115 PASS? I THOUGHT COPS AND GUNS WENT TOGETHER LIKE HAM AND EGGS. 590 00:46:10,245 --> 00:46:11,551 NO... THANKS. 591 00:46:15,598 --> 00:46:17,949 IF YOU REALLY DON'T WANT TO, THAT'S OKAY. 592 00:46:20,995 --> 00:46:22,780 SIT DOWN FOR A SECOND. 593 00:46:30,483 --> 00:46:31,789 REMEMBER I TOLD YOU 594 00:46:31,919 --> 00:46:33,921 SOMETHING HAPPENED ON THE JOB IN CHICAGO... 595 00:46:35,662 --> 00:46:39,057 AND EVERYTHING WENT KIND OF HAYWIRE AFTERWARDS? 596 00:46:39,187 --> 00:46:42,582 YEAH, BUT YOU DIDN'T SAY WHAT IT WAS. 597 00:46:45,628 --> 00:46:47,282 I SHOT A KID. 598 00:46:47,413 --> 00:46:49,850 I KILLED HIM. 599 00:46:55,508 --> 00:46:59,338 WANNA TALK ABOUT IT? 600 00:46:59,468 --> 00:47:02,994 WELL, I HAVEN'T WITH ANYBODY, NOT SINCE IT HAPPENED. 601 00:47:05,605 --> 00:47:07,912 MAYBE YOU NEED TO TALK ABOUT IT. 602 00:47:13,134 --> 00:47:15,136 THE... 603 00:47:15,267 --> 00:47:17,965 THIS KID WAS ROBBING A LIQUOR STORE, A NIGHT JOB. 604 00:47:18,096 --> 00:47:20,272 WE GOT THE CALL FIRST, MY PARTNER TOOK THE STREET DOOR, 605 00:47:20,402 --> 00:47:21,926 AND I WENT AROUND BACK. 606 00:47:22,056 --> 00:47:25,843 THAT'S WHEN THE KID CAME OUT RIGHT AT ME. 607 00:47:25,973 --> 00:47:30,891 HE HAD A SACK OF MONEY IN ONE HAND... 608 00:47:31,022 --> 00:47:34,286 AND WHAT I THOUGHT WAS A GUN IN THE OTHER. 609 00:47:36,114 --> 00:47:37,332 YOU COULDN'T BE SURE? 610 00:47:37,463 --> 00:47:41,336 NO. IT WAS DARK. 611 00:47:41,467 --> 00:47:43,164 RAINING REALLY HARD. 612 00:47:43,295 --> 00:47:48,517 ONE OF THOSE DAMN BLINDING CHICAGO THUNDERSTORMS. 613 00:47:49,518 --> 00:47:51,303 ANYWAY, WHEN THE KID CAME AT ME, 614 00:47:51,433 --> 00:47:53,653 I SAW SOMETHING FLASH IN HIS RIGHT HAND... 615 00:47:55,481 --> 00:47:57,265 SO I FIRED... 616 00:47:58,745 --> 00:48:02,357 AND I HIT HIM IN THE CHEST... 617 00:48:02,488 --> 00:48:06,187 AND HE DIED THAT NIGHT IN THE HOSPITAL. 618 00:48:07,319 --> 00:48:09,277 AND HE DIDN'T HAVE A GUN? 619 00:48:09,408 --> 00:48:11,236 IT WAS A CAN OPENER. 620 00:48:13,325 --> 00:48:15,370 KID HAD SHARPENED THE END OF IT. 621 00:48:18,983 --> 00:48:20,680 NATURALLY, THERE WAS A HASSLE. 622 00:48:20,810 --> 00:48:23,161 I WAS SUSPENDED FOR ABOUT A MONTH. 623 00:48:23,291 --> 00:48:25,946 THAT'S WHEN JAN AND I SPLIT UP. 624 00:48:26,077 --> 00:48:29,210 WHEN I WENT BACK ON THE FORCE, I WASN'T MUCH GOOD. 625 00:48:30,733 --> 00:48:32,213 I JUST WASN'T FUNCTIONING. 626 00:48:32,344 --> 00:48:34,868 I WANTED TO GET THE HELL OUT OF CHICAGO 627 00:48:34,999 --> 00:48:36,696 AND OUT OF POLICE WORK ALTOGETHER. 628 00:48:39,133 --> 00:48:41,005 THEN THIS JOB CAME ALONG... 629 00:48:44,791 --> 00:48:47,968 WELL, LOOK, EVERYBODY MAKES MISTAKES. 630 00:48:48,099 --> 00:48:52,538 COPS MAKE MISTAKES. EVERYBODY DOES. 631 00:48:52,668 --> 00:48:55,367 I DON'T WANNA EVER HAVE TO FIRE A GUN AGAIN. 632 00:49:00,154 --> 00:49:03,984 ANGIE, THAT KID, HE... HE WAS ONLY 14. 633 00:49:11,513 --> 00:49:14,690 ♪ JUST A... JUST A MODERN MAN 634 00:49:14,821 --> 00:49:17,606 ♪ JUST A... JUST A MODERN MAN 635 00:49:17,737 --> 00:49:22,002 ♪ JUST A... JUST A MODERN MAN 636 00:49:22,133 --> 00:49:25,049 ♪ JUST A MODERN MAN 637 00:49:25,179 --> 00:49:28,226 ♪ JUST A MODERN MAN 638 00:49:28,356 --> 00:49:31,359 ♪ JUST A MODERN MAN 639 00:49:31,490 --> 00:49:34,667 ♪ JUST A MODERN MAN 640 00:49:34,797 --> 00:49:38,018 ♪ JUST A MODERN MAN 641 00:49:38,149 --> 00:49:41,108 ♪ JUST A MODERN MAN 642 00:49:41,239 --> 00:49:44,329 ♪ JUST A MODERN MAN 643 00:49:44,459 --> 00:49:47,549 ♪ JUST A MODERN MAN 644 00:49:55,557 --> 00:49:57,995 HEY, THANK YOU. 645 00:49:58,125 --> 00:50:00,084 FOR WHAT? 646 00:50:00,214 --> 00:50:02,477 WELL, FOR CHEERING ME UP. 647 00:50:02,608 --> 00:50:07,047 I FEEL A WHOLE LOT BETTER SPENDING TIME WITH YOU NOW. 648 00:50:07,178 --> 00:50:09,049 GOOD. I'M GLAD. 649 00:50:11,573 --> 00:50:13,314 I LOVE DESERT NIGHTS. 650 00:50:13,445 --> 00:50:15,316 ALL THE STARS OUT, THE CLEAN AIR. 651 00:50:15,447 --> 00:50:17,101 A LOT DIFFERENT IN CHICAGO, HUH? 652 00:50:17,231 --> 00:50:19,190 YEAH, DIFFERENT. THAT'S THE WORD FOR IT. 653 00:50:19,320 --> 00:50:21,192 LOOK HOW BEAUTIFUL THE BRIDGE IS. 654 00:50:26,458 --> 00:50:28,242 YOU KNOW, I WANTED TO ASK YOU A QUESTION. 655 00:50:28,373 --> 00:50:30,157 UH-OH, MORE QUESTIONS. 656 00:50:30,288 --> 00:50:35,336 YEP. WHATEVER MADE YOU WANNA BECOME A COP? 657 00:50:35,467 --> 00:50:38,687 WELL, MY DAD WAS A COP, HIS DAD WAS A COP. 658 00:50:38,818 --> 00:50:40,515 GUESS IT JUST RUNS IN THE FAMILY. 659 00:50:40,646 --> 00:50:42,387 SEEMED LIKE THE THING TO DO. 660 00:50:42,517 --> 00:50:43,886 DIDN'T YOU EVER WANNA BE ANYTHING ELSE, 661 00:50:43,910 --> 00:50:46,130 AS A LITTLE BOY? 662 00:50:46,260 --> 00:50:48,393 SURE I DID, BUT I WASN'T EQUIPPED TO BE ONE. 663 00:50:48,523 --> 00:50:49,655 BE WHAT? 664 00:50:49,785 --> 00:50:51,787 A PRIMA BALLERINA. 665 00:50:53,876 --> 00:50:57,706 WHAT DID YOU WANNA BE WHEN YOU WERE A LITTLE GIRL? 666 00:50:57,837 --> 00:50:59,012 STRAIGHT ANSWER? 667 00:50:59,143 --> 00:51:00,535 STRAIGHT ANSWER. 668 00:51:00,666 --> 00:51:02,842 I WANTED TO BE A PSYCHIATRIST. 669 00:51:02,972 --> 00:51:07,194 YEAH. I WANTED TO HELP PEOPLE WITH THEIR EMOTIONAL PROBLEMS. 670 00:51:07,325 --> 00:51:11,329 BUT I NEVER WENT TO COLLEGE, DAD HAD THIS BOAT SERVICE. 671 00:51:11,459 --> 00:51:14,071 I JUST ENDED UP TAKING IT OVER. 672 00:51:14,941 --> 00:51:17,813 WELL, YOU SURE HELPED ME. 673 00:51:17,944 --> 00:51:21,078 I BEEN PRETTY SCREWED UP FOR QUITE A WHILE NOW. 674 00:51:22,427 --> 00:51:24,733 I'M GLAD I FOUND YOU. 675 00:51:26,822 --> 00:51:28,302 YOU MEAN THAT? 676 00:51:41,620 --> 00:51:43,796 WHAT DO YOU THINK? 677 00:51:43,926 --> 00:51:47,539 ♪ SPY VERSUS SPY 678 00:51:47,669 --> 00:51:51,456 ♪ SPY VERSUS SPY 679 00:51:51,586 --> 00:51:52,892 ♪ SPY VERSUS... 680 00:52:07,515 --> 00:52:11,606 AH, AH. YOU'RE NOT SUPPOSED TO TOUCH THEM. 681 00:52:11,737 --> 00:52:14,131 THE HEAT FROM HUMAN FLESH CAN MELT THE WAX. 682 00:52:14,261 --> 00:52:17,134 I'M SORRY. IT'S JUST THAT I'M NEW HERE... 683 00:52:17,264 --> 00:52:19,136 WE'RE VERY STRICT, 684 00:52:19,266 --> 00:52:21,442 AND IF YOU BREAK OUR RULES, YOU MUST BE PUNISHED. 685 00:52:21,573 --> 00:52:23,183 PUNISHED? 686 00:52:23,314 --> 00:52:26,491 YES. FOLLOW ME. I'll SHOW YOU. 687 00:52:29,015 --> 00:52:32,453 THIS IS NEWGATE PRISON. 688 00:52:32,584 --> 00:52:36,283 AND WHY ARE YOU TAKING ME HERE? 689 00:52:36,414 --> 00:52:38,372 TO SHOW YOU THE PUNISHMENT THAT COULD BEFALL YOU 690 00:52:38,503 --> 00:52:40,940 IF YOU TOUCH THE CANDLES. 691 00:52:43,986 --> 00:52:44,986 SEE? 692 00:52:46,946 --> 00:52:50,341 WHILE WE'RE ON THE SUBJECT OF PUNISHMENT, 693 00:52:50,471 --> 00:52:53,822 MAY I ASK, HAVE YOU EVER SERIOUSLY CONSIDERED 694 00:52:53,953 --> 00:52:57,609 THE CONCEPT OF GOOD AND EVIL? 695 00:52:57,739 --> 00:53:01,830 WELL, YES, OF COURSE. WHY? 696 00:53:01,961 --> 00:53:06,835 COULD WE TALK? GO SOMEWHERE AWAY FROM ALL THESE PEOPLE? 697 00:53:06,966 --> 00:53:12,363 UM, SURE. WE COULD WALK ALONG THE RIVER. IT'S QUIET THERE. 698 00:53:12,493 --> 00:53:14,669 YES. THAT WOULD BE CHARMING. 699 00:53:27,073 --> 00:53:29,206 OBVIOUSLY YOU'RE FROM ENGLAND, RIGHT? 700 00:53:29,336 --> 00:53:31,947 YES, FROM THE LONDON AREA. 701 00:53:32,078 --> 00:53:34,950 I LEFT RATHER ABRUPTLY. 702 00:53:35,081 --> 00:53:37,301 THINGS ARE QUITE NEW TO ME HERE. 703 00:53:37,431 --> 00:53:40,826 AND WHAT ABOUT YOU? 704 00:53:40,956 --> 00:53:43,872 DO YOU LIVE HERE IN LAKE HAVASU? 705 00:53:44,003 --> 00:53:46,353 MM-HMM. I'M THE HEAD LIBRARIAN. 706 00:53:46,484 --> 00:53:48,355 I SUPPOSE YOU COULD SAY 707 00:53:48,486 --> 00:53:50,444 I'VE LIVED MOST OF MY LIFE INSIDE OF BOOKS. 708 00:53:50,575 --> 00:53:52,751 ARE YOU BY CHANCE A STUDENT OF SCRIPTURE? 709 00:53:52,881 --> 00:53:56,711 OH, NO, NOT REALLY. I'M NOT VERY RELIGIOUS. 710 00:53:56,842 --> 00:54:00,889 BUT YOU BELIEVE IN PUNISHMENT FOR BREAKING THE LAW? 711 00:54:01,020 --> 00:54:04,023 OH, YES, BUT... 712 00:54:04,153 --> 00:54:06,634 I WAS ONLY JOKING BACK THERE 713 00:54:06,765 --> 00:54:09,246 ABOUT NEWGATE PRISON. 714 00:54:09,376 --> 00:54:10,936 YOU DIDN'T THINK I WAS SERIOUS, DID YOU? 715 00:54:11,030 --> 00:54:13,641 PUNISHMENT IS ALWAYS A SERIOUS MATTER. 716 00:54:13,772 --> 00:54:17,254 AND THOSE WHO TRANSGRESS MUST BE DEALT WITH. 717 00:54:19,691 --> 00:54:24,043 UH, I'VE REALLY ENJOYED TALKING TO YOU, 718 00:54:24,173 --> 00:54:25,784 BUT I SHOULD PROBABLY GET BACK. 719 00:54:25,914 --> 00:54:27,742 I HAVE TO BUY MY MOTHER A BIRTHDAY PRESENT... 720 00:54:27,873 --> 00:54:29,788 YOU MUST LISTEN TO WHAT I'M TELLING YOU. 721 00:54:29,918 --> 00:54:31,485 NO. I MUST GET BACK. 722 00:54:31,616 --> 00:54:33,444 YOU CAN'T GO. I WON'T ALLOW IT. 723 00:54:33,574 --> 00:54:36,055 I'M AFRAID YOU'LL HAVE TO. 724 00:54:36,185 --> 00:54:38,536 YOU HEARD WHAT THE LADY SAID. 725 00:54:39,798 --> 00:54:42,757 I'M SO GLAD TO SEE YOU. 726 00:54:42,888 --> 00:54:45,020 I LEAVE YOU NOW, DEAR LADY. 727 00:54:45,151 --> 00:54:48,067 BUT I TRUST WE SHALL MEET AGAIN. 728 00:54:49,895 --> 00:54:51,070 SIR. 729 00:55:12,526 --> 00:55:14,963 I FEEL LIKE A PRINCESS 730 00:55:15,094 --> 00:55:17,052 THAT'S BEEN RESCUED FROM A DRAGON. 731 00:55:17,183 --> 00:55:19,577 I'M GLAD I HAPPENED ALONG WHEN I DID. 732 00:55:19,707 --> 00:55:21,883 HE SEEMED TO BE UPSETTING YOU. 733 00:55:22,014 --> 00:55:25,626 YOU'RE JUST WHAT I TOLD MY FRIEND ANGIE YOU ARE... 734 00:55:25,757 --> 00:55:27,454 A REAL BRITISH GENTLEMAN. 735 00:55:27,585 --> 00:55:31,458 AH. SO YOU SPOKE OF ME TO YOUR FRIEND. 736 00:55:31,589 --> 00:55:32,764 I HOPE YOU DON'T MIND. 737 00:55:32,894 --> 00:55:34,069 NOT AT ALL. 738 00:55:37,856 --> 00:55:41,425 THAT MAN REALLY FRIGHTENED ME. 739 00:55:41,555 --> 00:55:44,906 IT IS TRUE, MY DEAR LYN, 740 00:55:45,037 --> 00:55:50,608 THAT MANY PEOPLE IN LIFE CAN BE FRIGHTENING. 741 00:56:07,625 --> 00:56:09,409 YOU GUYS ARE REALLY LUCKY 742 00:56:09,540 --> 00:56:12,064 BECAUSE THIS ENTIRE AREA IS RICH IN BIRD LIFE. 743 00:56:13,152 --> 00:56:16,590 NOW, THE BEST-KNOWN RIVER DUCK IS THE MALLARD. 744 00:56:16,721 --> 00:56:19,898 THE MALE MALLARD'S IDENTIFIED BY HIS GREEN NECK, 745 00:56:20,028 --> 00:56:22,074 WHILE THE FEMALE HAS A LIGHT... 746 00:56:22,204 --> 00:56:25,947 LOOK, MR. DALY, THERE'S A FLOATING LADY. 747 00:56:26,078 --> 00:56:29,124 GET BACK, CHILDREN. GET BACK, ALL OF YOU. 748 00:56:32,998 --> 00:56:36,654 GO ON, GET WAY BACK RIGHT NOW. 749 00:56:38,525 --> 00:56:40,440 COME IN. 750 00:56:41,528 --> 00:56:44,749 FIGURED YOU'D WANNA SEE THESE. 751 00:56:44,879 --> 00:56:47,839 YOU THINK THIS BOOT PRINT'S SIGNIFICANT, DON'T YOU? 752 00:56:47,969 --> 00:56:50,058 WE FOUND THAT AT THE RIVERBANK 753 00:56:50,189 --> 00:56:51,862 IN A SPOT NOT FAR FROM THE ENGLISH VILLAGE. 754 00:56:51,886 --> 00:56:53,758 THIS IS WHERE THE KILLER DUMPED THE BODY. 755 00:56:53,888 --> 00:56:55,063 HOW DO YOU KNOW THAT? 756 00:56:55,194 --> 00:56:56,630 WHEN HE PUT HER IN THE WATER, 757 00:56:56,761 --> 00:56:58,632 HER SCARF SNAGGED ON THIS BRANCH, 758 00:56:58,763 --> 00:57:00,480 WHICH TIES THE BOOT PRINT DIRECTLY TO THE KILLER. 759 00:57:00,504 --> 00:57:02,462 THE DEPTH OF THE IMPRESSION OF THE BOOT 760 00:57:02,593 --> 00:57:04,048 SHOWS HE WAS CARRYING THE BODY AT THE TIME. 761 00:57:04,072 --> 00:57:05,900 YOU THINK THE SAME GUY DID BOTH? 762 00:57:06,031 --> 00:57:08,468 YEP, SAME M.O. THE LAB REPORT VERIFIES THE FACT 763 00:57:08,599 --> 00:57:10,688 THAT THE MURDER WEAPONS ARE PROBABLY IDENTICAL. 764 00:57:15,257 --> 00:57:17,999 I'M ASKING YOU FOR AUTHORIZATION TO CLOSE DOWN THE VILLAGE. 765 00:57:18,130 --> 00:57:20,437 BOTH MURDERS ARE TIED INTO THAT AREA. 766 00:57:20,567 --> 00:57:23,744 IF I SHUT DOWN THE VILLAGE, I'll CATCH HELL FROM WHITFIELD. 767 00:57:23,875 --> 00:57:26,878 IF YOU DON'T, MORE PEOPLE ARE GONNA BE KILLED BY THIS MANIAC. 768 00:57:27,008 --> 00:57:29,533 PETE, I'M TELLING YOU, HE'S OUT THERE. 769 00:57:29,663 --> 00:57:32,492 I'M STILL CONCERNED WE HAVEN'T LOCATED THAT FEMALE REPORTER. 770 00:57:32,623 --> 00:57:35,147 I CLOSE DOWN THE VILLAGE, I MAY AS WELL CLOSE DOWN THE CITY 771 00:57:35,277 --> 00:57:38,455 BECAUSE TOURISM IS WHAT THIS CITY'S ALL ABOUT, OR HAVEN'T YOU NOTICED? 772 00:57:38,585 --> 00:57:41,025 I REALIZE YOU'RE GONNA GET HEAT FROM WHITFIELD AND HIS PEOPLE, 773 00:57:41,066 --> 00:57:43,721 BUT WE CAN'T RISK ANY MORE LIVES HERE. 774 00:57:43,851 --> 00:57:45,766 YOU BELIEVE THIS CREEP'S GONNA STOP KILLING 775 00:57:45,897 --> 00:57:47,768 IF I SHUT DOWN A VILLAGE? 776 00:57:47,899 --> 00:57:50,118 AIN'T GONNA HAPPEN, MAN. 777 00:57:50,249 --> 00:57:52,033 WE WON'T KNOW UNTIL WE TRY. 778 00:57:52,164 --> 00:57:54,534 AT LEAST NO MORE WOMEN WILL GET THEIR THROATS CUT ON LONDON BRIDGE. 779 00:57:54,558 --> 00:57:55,994 HOW LONG DO YOU WANT IT CLOSED? 780 00:57:56,124 --> 00:57:57,169 TILL THE KILLER'S FOUND. 781 00:57:59,998 --> 00:58:01,521 IT'S NO GOOD. 782 00:58:01,652 --> 00:58:04,916 WE DON'T KNOW WHEN OR EVEN IF WE'RE GONNA CATCH THE GUY. 783 00:58:05,046 --> 00:58:09,529 BEST I CAN DO IS POST SEVERAL PLAINCLOTHES OFFICERS. 784 00:58:09,660 --> 00:58:11,662 I CANNOT AUTHORIZE ITS SHUTDOWN. 785 00:58:11,792 --> 00:58:14,578 YOU MEAN YOU WON'T, NOT CAN'T. 786 00:58:14,708 --> 00:58:18,233 HEY, DON'T PUSH IT, HOTSHOT. 787 00:58:18,364 --> 00:58:20,235 I DO WHAT I CAN. 788 00:58:20,366 --> 00:58:22,586 YEAH, SURE YOU DO. SURE YOU DO. 789 00:58:27,329 --> 00:58:29,506 I JUST CAN'T BELIEVE LYN'S DEAD. 790 00:58:32,683 --> 00:58:34,859 WE KNEW EACH OTHER EVER SINCE HIGH SCHOOL. 791 00:58:36,730 --> 00:58:39,254 WE CAME HERE TO HAVASU TOGETHER, AND SHE... 792 00:58:44,303 --> 00:58:47,567 DON, WHY'D IT HAVE TO BE LYN? 793 00:58:51,832 --> 00:58:55,270 DID SHE SAY ANYTHING MORE ABOUT THIS BRITISH GUY? 794 00:58:55,401 --> 00:58:58,099 UH-UH. 795 00:58:58,230 --> 00:59:01,538 SHE DIDN'T SAY ANYTHING ELSE. 796 00:59:01,668 --> 00:59:04,497 JUST THAT HE WORKED IN THE VILLAGE 797 00:59:04,628 --> 00:59:05,890 AND HE WAS A GENTLEMAN. 798 00:59:06,020 --> 00:59:08,675 CAN'T YOU ASK THIS GUARD WHO SAW THIS GUY WITH LYN? 799 00:59:08,806 --> 00:59:10,784 CAN'T HE GIVE YOU SOME KIND OF PHYSICAL DESCRIPTION? 800 00:59:10,808 --> 00:59:12,636 THE GUARD REALLY DIDN'T SEE THE GUY. 801 00:59:12,766 --> 00:59:15,682 ONLY SAW THE BACK OF HIM AS HE WAS LEAVING. 802 00:59:15,813 --> 00:59:19,033 HE SAID HE WAS SURE THE GUY DIDN'T WORK THERE, THOUGH. 803 00:59:19,164 --> 00:59:21,035 ALL WE GOT'S A HEIGHT AND A BUILD. 804 00:59:23,777 --> 00:59:25,823 I'M WORRIED ABOUT YOU. 805 00:59:25,953 --> 00:59:28,913 ARE YOU GONNA BE OKAY? 806 00:59:33,178 --> 00:59:36,007 I COULD REALLY USE SOME COMPANY TONIGHT. 807 00:59:37,095 --> 00:59:38,357 YOU GOT IT. 808 01:01:10,536 --> 01:01:12,669 HERE. WHY DON'T YOU MAKE YOURSELF USEFUL? 809 01:01:12,799 --> 01:01:14,366 YEAH. OH, THAT'S GOOD. 810 01:01:20,807 --> 01:01:22,896 HOPE YOU LIKE TROUT. LOVE IT. 811 01:01:23,027 --> 01:01:24,463 GOOD. 812 01:01:31,209 --> 01:01:32,776 OKAY? 813 01:01:32,906 --> 01:01:34,778 YEAH, DIG IN. LET ME KNOW WHAT YOU THINK. 814 01:01:40,087 --> 01:01:41,741 WELL? 815 01:01:41,872 --> 01:01:45,092 OH, IT'S FINE. YOU'RE A TERRIFIC COOK. 816 01:01:46,485 --> 01:01:50,184 JUST ONE OF MY MANY REMARKABLE TALENTS. 817 01:01:50,315 --> 01:01:54,101 REMEMBER I TOLD YOU I HAD A THEORY ABOUT THE KILLINGS? 818 01:01:54,232 --> 01:01:56,408 WELL, I WORKED IT OUT. 819 01:01:56,538 --> 01:01:58,105 YOU WANNA HEAR IT? 820 01:01:58,236 --> 01:02:00,281 RIGHT AFTER THE FUNERAL? 821 01:02:00,412 --> 01:02:02,370 YEAH, I KNOW, BUT IT'S REALLY IMPORTANT, 822 01:02:02,501 --> 01:02:05,199 AND I WOULD REALLY LIKE TO GET YOUR REACTION. 823 01:02:08,942 --> 01:02:10,509 OKAY. 824 01:02:10,639 --> 01:02:13,077 OK, GREAT. LET'S START WITH THE FRAGMENT OF CLOTH 825 01:02:13,207 --> 01:02:15,470 FOUND UNDER ALICE WILLIAMSON'S FINGERNAIL. 826 01:02:15,601 --> 01:02:17,734 IT PROVED TO BE OVER A CENTURY OLD. 827 01:02:17,864 --> 01:02:21,738 I THINK OUR KILLER BOUGHT AN OLD COAT FROM AN ANTIQUE SHOP 828 01:02:21,868 --> 01:02:24,479 TO MATCH HIS IDENTITY. 829 01:02:24,610 --> 01:02:26,830 WHAT IDENTITY? 830 01:02:26,960 --> 01:02:29,049 I'll GET TO THAT. NEXT... 831 01:02:29,180 --> 01:02:32,096 TAKE THE WAY HE KILLED HIS VICTIMS... BY CUTTING THEIR THROATS. 832 01:02:32,226 --> 01:02:36,100 MY GUESS IS HE USED A SCALPEL. 833 01:02:36,230 --> 01:02:38,189 A SURGEON'S SCALPEL. 834 01:02:38,319 --> 01:02:39,799 UH, I DON'T THINK I'M INTO THIS. 835 01:02:39,930 --> 01:02:41,366 BEAR WITH ME FOR A LITTLE WHILE. 836 01:02:41,496 --> 01:02:44,543 CONSIDER THE TWO DATES OF THE TWO KNOWN KILLINGS... 837 01:02:44,673 --> 01:02:46,806 AUGUST 7th AND SEPTEMBER 8th. 838 01:02:46,937 --> 01:02:48,895 ARE THEY SIGNIFICANT? 839 01:02:49,026 --> 01:02:52,377 ONCE YOU ADD A THIRD DATE, THEY ARE... AUGUST 31st. 840 01:02:53,552 --> 01:02:55,902 SO WHAT'S SO SPECIAL ABOUT AUGUST 31st? 841 01:02:56,033 --> 01:02:58,905 AUGUST 31st WAS THE LAST NIGHT THE REPORTER ELAINE GARDENER. 842 01:02:59,036 --> 01:03:01,952 WAS SEEN WHEN SHE CHECKED OUT OF THE MOTEL. 843 01:03:02,082 --> 01:03:05,564 I THINK SHE DIED AT THE HANDS OF OUR KILLER THAT NIGHT. 844 01:03:05,694 --> 01:03:07,566 IT'S JUST WE HAVEN'T FOUND THE BODY. 845 01:03:07,696 --> 01:03:11,352 THE DATES IN ORDER ARE AUGUST 7th, 846 01:03:11,483 --> 01:03:15,052 AUGUST 31st, SEPTEMBER 8th. 847 01:03:15,182 --> 01:03:17,010 OKAY, SO... 848 01:03:17,141 --> 01:03:18,577 THEY MATCH THE DATES 849 01:03:18,707 --> 01:03:20,642 OF THE FIRST THREE MURDERS ATTRIBUTED TO JACK THE RIPPER 850 01:03:20,666 --> 01:03:23,887 IN LONDON'S WHITECHAPEL DISTRICT IN 1888. 851 01:03:24,017 --> 01:03:26,150 BETWEEN AUGUST 7th AND NOVEMBER 9th, 852 01:03:26,280 --> 01:03:28,456 SIX WOMEN WERE MURDERED IN THAT AREA. 853 01:03:28,587 --> 01:03:29,980 THE KILLER DISAPPEARED THAT YEAR. 854 01:03:30,110 --> 01:03:32,939 THEORY HAS IT THAT THERE WAS A MAN SHOT BY POLICE 855 01:03:33,070 --> 01:03:38,249 ON LONDON BRIDGE WHO DIED IN THE THAMES RIVER IN NOVEMBER, 1888. 856 01:03:38,379 --> 01:03:41,034 THEORY HAS IT THAT MAN WAS THE RIPPER. 857 01:03:41,165 --> 01:03:43,471 BUT WHAT DOES ALL OF THAT HAVE TO DO... 858 01:03:43,602 --> 01:03:45,560 DON'T YOU SEE? OUR KILLER WEARS PERIOD CLOTHING, 859 01:03:45,691 --> 01:03:49,913 HE USES A SURGEON'S SCALPEL, HE CUTS HIS VICTIM'S THROATS, 860 01:03:50,043 --> 01:03:53,394 AND HE STRIKES IN THE AREA OF THE LONDON BRIDGE. 861 01:03:53,525 --> 01:03:56,354 ANGIE, THE GUY WE'RE LOOKING FOR 862 01:03:56,484 --> 01:03:59,531 ACTUALLY THINKS HE'S JACK THE RIPPER. 863 01:04:03,187 --> 01:04:04,841 THAT'S SOME THEORY. 864 01:04:04,971 --> 01:04:07,626 IT MAKES SENSE. EVERYTHING FITS. 865 01:04:07,756 --> 01:04:11,499 WHAT DO YOU THINK CHIEF DAWSON'S GONNA SAY WHEN YOU TELL HIM? 866 01:04:11,630 --> 01:04:13,110 I ALREADY HAVE. 867 01:04:13,240 --> 01:04:15,416 HE THINKS CHICAGO COPS HAVE BIZARRE IMAGINATIONS. 868 01:04:15,547 --> 01:04:16,547 HE DIDN'T BUY IT. 869 01:04:16,635 --> 01:04:18,028 NO, HE DIDN'T, NOT YET... 870 01:04:18,158 --> 01:04:20,595 BUT HE WILL. 871 01:04:20,726 --> 01:04:21,988 WHAT ARE YOU GONNA DO? 872 01:04:22,119 --> 01:04:25,557 I DON'T KNOW. I DO KNOW ONE THING... 873 01:04:25,687 --> 01:04:28,125 IF OUR KILLER FOLLOWS HIS MURDER PATTERN, 874 01:04:28,255 --> 01:04:31,215 HE'LL STRIKE AGAIN ON SEPTEMBER 30th. 875 01:04:31,345 --> 01:04:34,131 I WOULDN'T BET IT'S OVER. 876 01:04:36,046 --> 01:04:38,483 OH, I FORGOT THE WINE. I'll BE RIGHT BACK. 877 01:05:18,523 --> 01:05:20,873 EXCUSE ME, MR. WHITFIELD. WE GOTTA TALK. 878 01:05:21,004 --> 01:05:22,701 NOT NOW. I'M LATE FOR A MEETING. 879 01:05:22,831 --> 01:05:24,311 I'M REALLY SORRY, BUT THIS IS URGENT. 880 01:05:24,442 --> 01:05:25,660 WHAT DO YOU WANT? 881 01:05:25,791 --> 01:05:27,532 I WANT YOU TO CLOSE DOWN THE VILLAGE. 882 01:05:27,662 --> 01:05:29,229 FOR ANOTHER SEARCH? 883 01:05:29,360 --> 01:05:30,665 FOR THE SAFETY OF THE PUBLIC. 884 01:05:30,796 --> 01:05:33,625 THERE'S BEEN TWO MURDERS. THERE MAY HAVE BEEN A THIRD. 885 01:05:33,755 --> 01:05:36,019 DID CHIEF DAWSON ORDER THE VILLAGE CLOSED? 886 01:05:36,149 --> 01:05:38,282 NO. I'M ASKING YOU TO DO THIS VOLUNTARILY 887 01:05:38,412 --> 01:05:40,371 AS A GESTURE OF PUBLIC SAFETY. 888 01:05:40,501 --> 01:05:44,244 PUBLIC SAFETY IS YOUR RESPONSIBILITY, IT IS NOT MINE. 889 01:05:44,375 --> 01:05:47,117 THAT'S WHAT THE CITY PAYS YOU FOR. 890 01:05:47,247 --> 01:05:49,573 UNLESS CHIEF DAWSON PERSONALLY ORDERS ME TO CLOSE THAT VILLAGE, 891 01:05:49,597 --> 01:05:51,382 IT STAYS OPEN. 892 01:05:53,166 --> 01:05:54,689 YOUR ATTITUDE STINKS, MAN. 893 01:05:54,820 --> 01:05:58,389 I'M GONNA TELL YOU WHAT STINKS... IT'S YOUR RECORD. 894 01:05:58,519 --> 01:06:02,959 YOU DIDN'T FIT IN IN CHICAGO, AND YOU DON'T FIT IN HERE. 895 01:06:03,089 --> 01:06:06,136 YOU'RE UNSTABLE. YOU'RE A MISFIT. 896 01:06:06,266 --> 01:06:09,095 I KNOW ALL ABOUT YOU. I'VE CHECKED YOUR RECORD. 897 01:06:09,226 --> 01:06:12,316 I KNOW ABOUT THE 14-YEAR-OLD KID YOU BLEW AWAY IN CHICAGO. 898 01:06:12,446 --> 01:06:13,752 WHOA, WHOA. 899 01:06:13,882 --> 01:06:16,929 YOU'RE FINISHED IN THIS TOWN. I CAN PROMISE YOU THAT. 900 01:06:17,060 --> 01:06:19,062 ALL RIGHT, HE'LL BE ALL RIGHT. 901 01:06:22,804 --> 01:06:25,459 WHAT'S THE MATTER WITH YOU? 902 01:06:25,590 --> 01:06:28,506 HEY, WHAT WAS THAT ALL ABOUT? 903 01:06:28,636 --> 01:06:30,290 I ALMOST DECKED WHITFIELD. 904 01:06:31,726 --> 01:06:33,617 HOW COULD YOU THINK ABOUT DECKING THE HEAD OF THE CITY COUNCIL? 905 01:06:33,641 --> 01:06:35,992 THE GUY'S AN A-NUMBER-ONE JERK. 906 01:06:36,122 --> 01:06:37,642 ALL RIGHT, WE'LL TALK ABOUT THAT LATER. 907 01:06:37,689 --> 01:06:39,038 RIGHT NOW, I WANT YOU WITH ME. 908 01:06:40,300 --> 01:06:41,843 ED NEBEL SAYS HE GOT A CRANK LETTER WE OUGHT TO SEE. 909 01:06:41,867 --> 01:06:44,739 JOE, TAKE THE CAR BACK. YOU COME WITH ME. 910 01:06:44,870 --> 01:06:46,306 WHAT HAVE YOU GOT FOR US, ED? 911 01:06:46,437 --> 01:06:50,180 OUR FIRST CRACKPOT POEM. I OUGHT TO FRAME IT. 912 01:06:50,310 --> 01:06:53,531 WHITFIELD'S PRESSURING ME TO NOT PUT ANY STUFF ABOUT THE KILLINGS IN THE PAPER, 913 01:06:53,661 --> 01:06:56,012 BUT I GOTTA PRINT THIS. 914 01:06:56,142 --> 01:06:58,666 WHOEVER THIS JOKER IS, HE CAN'T ADD VERY WELL. 915 01:06:58,797 --> 01:07:00,197 THERE'S BEEN TWO MURDERS, NOT THREE. 916 01:07:00,277 --> 01:07:02,192 HE'S RIGHT. THERE HAVE BEEN THREE. 917 01:07:02,322 --> 01:07:05,064 HOW DO YOU FIGURE? THERE'S ALICE WILLIAMSON, LYN CHANDLER. 918 01:07:05,195 --> 01:07:08,111 AND THE REPORTER... ELAINE GARDENER. 919 01:07:08,241 --> 01:07:11,157 SAYS IT ALL, GUYS. THIS LINE RIGHT HERE. 920 01:07:11,288 --> 01:07:14,769 "THE STONE HAS TOLD ME... THERE'LL BE MORE." 921 01:07:15,944 --> 01:07:19,383 AND AFTER WHAT YOU ALMOST DID TO WHITFIELD, THIS LETTER... 922 01:07:19,513 --> 01:07:22,473 THE ONLY REASON I'M NOT KICKING YOUR BUTT OFF THE CASE. 923 01:07:22,603 --> 01:07:27,043 HOWEVER, WE DO KNOW THERE'S A COPYCAT RIPPER OUT THERE. 924 01:07:27,173 --> 01:07:30,133 YEAH, AND THAT HE KILLED ELAINE GARDENER. 925 01:07:30,263 --> 01:07:32,439 YEAH, COULD BE. COULD BE. 926 01:07:32,570 --> 01:07:36,008 DID YOU KNOW SAN FRANCISCO CALLED? 927 01:07:36,139 --> 01:07:37,140 MM-MMM. 928 01:07:37,270 --> 01:07:39,142 COME HERE. 929 01:07:43,189 --> 01:07:45,539 THEY DEFINITELY VERIFIED THE GARDENER WOMAN'S MISSING. 930 01:07:45,670 --> 01:07:50,109 THEY GOT A TRACE OUT ON HER, SO THAT MEANS... IF SHE'S DEAD, 931 01:07:50,240 --> 01:07:53,069 WE GOT THREE. 932 01:07:55,941 --> 01:07:58,552 YOU THINK IT'S A GOOD IDEA FOR NEBEL TO RUN THIS? 933 01:07:58,683 --> 01:08:02,339 SURE. WHY NOT? LET'S GIVE OUR RESIDENT WEIRDO SOME EXPOSURE. 934 01:08:02,469 --> 01:08:04,471 IF THAT'S WHAT HE WANTS, MIGHT DRAW HIM OUT. 935 01:08:04,602 --> 01:08:07,126 PUBLIC NEEDS TO KNOW. 936 01:08:07,257 --> 01:08:09,781 GREGORY, YOU WANNA DO ME A FAVOR? 937 01:08:09,911 --> 01:08:12,131 WHAT DOES THAT MEAN? 938 01:08:12,262 --> 01:08:14,873 "THE STONE HAS TOLD ME THERE WILL BE MORE." 939 01:08:15,003 --> 01:08:17,876 I DON'T KNOW WHAT THE STONE PART MEANS, BUT I KNOW ONE THING. 940 01:08:18,006 --> 01:08:21,793 WE GOTTA MOVE FAST, BECAUSE IF THIS GUY FOLLOWS THE RIPPER'S PATTERN, 941 01:08:21,923 --> 01:08:25,144 HE'LL STRIKE AGAIN ON SEPTEMBER 30th. 942 01:09:18,589 --> 01:09:20,852 HI. ARE YOU MISS EMMA BELLOK? 943 01:09:20,982 --> 01:09:22,462 THAT'S RIGHT. 944 01:09:22,593 --> 01:09:25,161 MY NAME'S DETECTIVE GREGORY. YOU PLACED A CALL INTO US? 945 01:09:25,291 --> 01:09:26,640 YOU'RE IN CHARGE OF THE MURDERS? 946 01:09:26,771 --> 01:09:29,817 YES. I'M THE CHIEF INVESTIGATOR. THIS IS DETECTIVE NEZ. 947 01:09:29,948 --> 01:09:32,820 I THINK I KNOW WHO HE IS... 948 01:09:32,951 --> 01:09:35,388 THE KILLER, THE ONE YOU'RE ALL LOOKING FOR. 949 01:09:35,519 --> 01:09:36,737 TELL US WHAT YOU KNOW. 950 01:09:36,868 --> 01:09:39,436 IT'S THE GUY IN NUMBER TEN, MR. LATTING. 951 01:09:39,566 --> 01:09:43,135 HE KEEPS REAL ODD HOURS AND MOSTLY GOES OUT AT NIGHT. 952 01:09:43,266 --> 01:09:45,181 HE TALKED TO ME FUNNY ONCE 953 01:09:45,311 --> 01:09:49,185 ABOUT HOW HE THINKS THERE'S A CURSE ON LONDON BRIDGE 954 01:09:49,315 --> 01:09:52,318 AND HOW IT'S "AN EVIL PLACE THAT REEKS WITH MURDER." 955 01:09:52,449 --> 01:09:54,320 THAT'S THE WAY HE SAID IT, JUST LIKE THAT. 956 01:09:54,451 --> 01:09:56,192 HE THINKS IT SHOULD BE TORN DOWN. 957 01:09:56,322 --> 01:09:57,691 DO YOU KNOW WHERE MR. LATTING IS NOW? 958 01:09:57,715 --> 01:09:59,891 NO, I DON'T, BUT I SAW HIM LEAVING WITH A SUITCASE 959 01:10:00,021 --> 01:10:01,545 JUST A LITTLE BEFORE I CALLED YOU. 960 01:10:01,675 --> 01:10:03,460 WHY DIDN'T YOU CALL US BEFORE? 961 01:10:03,590 --> 01:10:05,679 I JUST NEVER THOUGHT TO. 962 01:10:05,810 --> 01:10:07,986 I NEVER CONNECTED HIM IN MY MIND WITH THE MURDERS 963 01:10:08,116 --> 01:10:10,206 UNTIL I SAW THE STORY IN THE PAPER 964 01:10:10,336 --> 01:10:11,531 ABOUT ANOTHER JACK THE RIPPER. 965 01:10:11,555 --> 01:10:13,992 THAT'S WHEN I THOUGHT ABOUT HIM. 966 01:10:14,122 --> 01:10:15,602 COULD YOU GIVE US THE KEY TO THE ROOM? 967 01:10:15,646 --> 01:10:17,952 IT'S REAL CLOSE. COME ON, I'll SHOW YOU. 968 01:10:18,083 --> 01:10:20,564 FOLLOW ME. IT'S REAL CLOSE. 969 01:10:44,892 --> 01:10:48,331 LIKE I TOLD YOU, HE'S GONE. 970 01:10:50,333 --> 01:10:52,596 GONE? HOW COULD HE BE GONE? 971 01:10:52,726 --> 01:10:55,686 ANSON, HE CAN'T GET FAR. I GOT THE WHOLE AREA BOTTLED UP. 972 01:10:55,816 --> 01:10:57,905 THE AIRPORT, BOTH ENDS OF 95, THE RIVER. 973 01:10:58,036 --> 01:11:00,256 MY COPTER'S PATROLLING THE WHOLE DESERT OUT THERE. 974 01:11:00,386 --> 01:11:02,823 BUT HE WAS THERE ALL THESE WEEKS... 975 01:11:02,954 --> 01:11:05,478 RIGHT UNDER YOUR NOSE, MIDDLE OF TOWN. 976 01:11:05,609 --> 01:11:07,872 PSYCHO KILLER, OBVIOUS MADMAN. 977 01:11:08,002 --> 01:11:09,917 THERE'S NOTHING OBVIOUS ABOUT THIS MAN. 978 01:11:10,048 --> 01:11:13,747 HE MAY BE A WEIRDO, BUT I'M NOT CONVINCED HE'S THE MAN WE'RE AFTER, EITHER. 979 01:11:13,878 --> 01:11:15,009 OH, YOU'RE NOT? 980 01:11:16,184 --> 01:11:18,317 YOU JUST DON'T WANNA ADMIT YOU LET HIM SLIP PAST YOU. 981 01:11:18,448 --> 01:11:20,276 YOU BEEN RUNNING THIS CASE LIKE A BLIND FOOL. 982 01:11:20,406 --> 01:11:21,712 I'M NOT GONNA TAKE MUCH MORE... 983 01:11:21,842 --> 01:11:24,002 WHAT THE HELL'S HE DOING HERE? THIS IS POLICE BUSINESS. 984 01:11:24,062 --> 01:11:25,542 YOU WANNA KNOW WHAT I'M DOING HERE? 985 01:11:25,672 --> 01:11:27,500 I'll BE HAPPY TO TELL YOU. 986 01:11:27,631 --> 01:11:29,023 I CAME HERE TO DELIVER A PETITION 987 01:11:30,373 --> 01:11:33,332 SIGNED AND APPROVED BY THE CITY COUNCIL TO HAVE YOU FIRED. 988 01:11:33,463 --> 01:11:36,292 AND THIS LATEST BLUNDER OF YOURS PUTS A SEAL ON IT. 989 01:11:38,990 --> 01:11:42,080 NOW, I TRUST CHIEF DAWSON WILL TAKE IMMEDIATE ACTION. 990 01:11:57,922 --> 01:12:01,055 ALL RIGHT, PETE, WHAT'S THE ACTION... DO I STAY OR GO? 991 01:12:01,186 --> 01:12:05,538 AHEM. YOU STAY. FOR NOW, YOU STAY. 992 01:12:05,669 --> 01:12:09,673 I'M REJECTING THEIR PETITION, BUT YOU'RE WALKING A TIGHT ROPE. 993 01:12:09,803 --> 01:12:12,589 I'VE NEVER SEEN THE PEOPLE IN THIS TOWN SO STIRRED UP. 994 01:12:12,719 --> 01:12:17,071 YOU MAKE ONE MORE WRONG STEP, JUST ONE, YOU GOTTA GO. 995 01:12:17,202 --> 01:12:19,465 I UNDERSTAND THAT. 996 01:12:28,169 --> 01:12:30,346 HOW'D IT GO? 997 01:12:30,476 --> 01:12:32,435 DON'T ASK. 998 01:12:32,565 --> 01:12:35,916 I SAW YOUR PAL WHITFIELD STORMING OUT OF HERE 999 01:12:36,047 --> 01:12:38,658 LIKE HE HAD A BUR UNDER HIS SADDLE. 1000 01:12:38,789 --> 01:12:42,358 YEAH, HE'S OUT TO NAIL ME, ALL RIGHT... 1001 01:12:42,488 --> 01:12:44,360 BUT I'M NOT WORRIED ABOUT HIM. 1002 01:12:45,926 --> 01:12:48,929 WELL, YOU'RE WORRIED ABOUT SOMETHING. 1003 01:12:49,060 --> 01:12:50,757 A WHOLE 'NOTHER ASPECT TO THIS THING. 1004 01:12:50,888 --> 01:12:52,846 WHAT ASPECT? 1005 01:12:52,977 --> 01:12:54,544 I DON'T KNOW. 1006 01:12:57,547 --> 01:13:01,464 I'M GOING TO THE RESEARCH LIBRARY IN PHOENIX AND CHECK OUT A FEW THINGS. 1007 01:13:02,769 --> 01:13:04,597 PHOENIX? 1008 01:14:08,269 --> 01:14:09,793 ANGIE? 1009 01:14:12,230 --> 01:14:14,798 ANGIE! 1010 01:14:14,928 --> 01:14:17,931 DON, IS THAT YOU? 1011 01:14:18,062 --> 01:14:20,238 YEAH. 1012 01:14:23,546 --> 01:14:24,982 HI. HI. 1013 01:14:25,112 --> 01:14:26,940 WHAT ARE YOU DOING? IT'S ALMOST MORNING. 1014 01:14:27,071 --> 01:14:29,247 I'VE BEEN UP ALL NIGHT. I JUST DROVE BACK FROM PHOENIX. 1015 01:14:29,377 --> 01:14:31,728 YOU GOT SOME COFFEE? COME IN. 1016 01:14:31,858 --> 01:14:33,556 THANKS. 1017 01:14:50,573 --> 01:14:52,966 IT'S NOT REAL HOT, BUT IT'S ALL I HAVE. 1018 01:14:55,969 --> 01:14:58,232 IT'S FINE. THANKS, I NEEDED THAT. 1019 01:15:00,931 --> 01:15:04,587 WHY DON'T YOU COME OVER HERE AND SIT DOWN? WE GOTTA TALK. 1020 01:15:04,717 --> 01:15:06,589 OR AT LEAST I DO. 1021 01:15:16,294 --> 01:15:18,992 WHAT HAPPENED? ANOTHER MURDER? 1022 01:15:19,123 --> 01:15:23,997 NO, NO. NO MORE MURDERS. NOT YET. 1023 01:15:26,086 --> 01:15:29,786 ANGIE, IT'S WHAT I'VE COME TO BELIEVE 1024 01:15:29,916 --> 01:15:31,701 THAT'S MAKING ME CRAZY. 1025 01:15:31,831 --> 01:15:36,575 I CAN'T TELL ANYONE ELSE ABOUT THIS, ONLY YOU, 1026 01:15:36,706 --> 01:15:39,622 AND WHEN I TELL YOU, YOU'RE GONNA THINK I'VE FLIPPED. 1027 01:15:42,320 --> 01:15:43,669 I'M LISTENING. 1028 01:15:43,800 --> 01:15:48,326 OKAY. FIRST, THERE WERE TRACES OF BLOOD 1029 01:15:48,456 --> 01:15:51,024 FOUND ON THE SKIN OF BOTH VICTIMS, 1030 01:15:51,155 --> 01:15:53,505 BLOOD OTHER THAN THEIR OWN... 1031 01:15:53,636 --> 01:15:56,203 OLD BLOOD, VERY OLD BLOOD, 1032 01:15:56,334 --> 01:15:58,554 WHICH PROBABLY MEANS THE KILLER 1033 01:15:58,684 --> 01:16:01,687 USED THE SAME WEAPON A LONG TIME AGO, OKAY? 1034 01:16:01,818 --> 01:16:03,036 OKAY. 1035 01:16:03,167 --> 01:16:05,648 OKAY, NOW... TAKE A LOOK AT THIS. 1036 01:16:11,958 --> 01:16:13,873 TAKE A LOOK AT THIS. 1037 01:16:14,004 --> 01:16:17,050 TWO PHOTOGRAPHS OF A BLUEPRINT. 1038 01:16:18,312 --> 01:16:19,662 WHAT DO YOU SEE? 1039 01:16:19,792 --> 01:16:22,273 WELL, THEY'RE OBVIOUSLY FROM THE SAME BOOT. 1040 01:16:22,403 --> 01:16:26,320 IT HAS THE SAME SORT OF ODD HEEL-SOLE PATTERN IN BOTH. 1041 01:16:26,451 --> 01:16:28,801 THE GLOSSY IS BRAND-NEW. 1042 01:16:28,932 --> 01:16:31,282 IT'S A PHOTOGRAPH OF OUR KILLER'S BOOT PRINT. 1043 01:16:31,412 --> 01:16:33,893 PHOTO IN THIS MAGAZINE WAS TAKEN IN 1888 1044 01:16:34,024 --> 01:16:36,940 AT THE SCENE OF ONE OF THE RIPPER MURDERS. 1045 01:16:37,070 --> 01:16:38,158 THEY'RE IDENTICAL. 1046 01:16:38,289 --> 01:16:40,291 LIKE YOU SAID, SAME BOOT, RIGHT? 1047 01:16:41,335 --> 01:16:42,946 BUT I DON'T SEE HOW... 1048 01:16:45,035 --> 01:16:46,819 LOOK AT THIS. 1049 01:16:48,429 --> 01:16:51,345 THIS IS THE COPY OF THE NOTE SENT TO OUR LOCAL NEWSPAPER 1050 01:16:51,476 --> 01:16:52,738 BY THE KILLER. 1051 01:16:53,739 --> 01:16:55,915 THIS IS A LETTER WRITTEN BY JACK THE RIPPER, 1052 01:16:56,046 --> 01:16:58,352 SENT TO A LONDON NEWSPAPER IN 1888 1053 01:16:58,483 --> 01:16:59,745 AFTER ONE OF HIS MURDERS. 1054 01:17:06,796 --> 01:17:09,363 THIS IS EXACTLY THE SAME HANDWRITING. 1055 01:17:09,494 --> 01:17:12,802 THIS IS EXACTLY THE SAME WRITING IN BOTH OF THESE. 1056 01:17:12,932 --> 01:17:16,675 IT'S BECAUSE THE SAME MAN WROTE BOTH OF THEM. 1057 01:17:16,806 --> 01:17:18,677 WHAT ARE YOU SAYING? 1058 01:17:21,767 --> 01:17:24,988 WHAT I'M SAYING IS, GOD HELP ME, 1059 01:17:25,118 --> 01:17:27,381 THERE NEVER WAS A COPYCAT KILLER. 1060 01:17:31,429 --> 01:17:37,217 THE MAN WHO BUTCHERED ALICE WILLIAMSON AND LYN CHANDLER... 1061 01:17:37,348 --> 01:17:39,393 WAS THE REAL JACK THE RIPPER. 1062 01:17:42,483 --> 01:17:44,790 DON, THAT'S TOTALLY IMPOSSIBLE. 1063 01:17:44,921 --> 01:17:47,967 THAT'S EXACTLY WHAT I'VE BEEN TELLING MYSELF. 1064 01:17:48,098 --> 01:17:49,186 TAKE A LOOK AT THIS LINE... 1065 01:17:49,316 --> 01:17:52,972 "THE STONE HAS TOLD ME THERE'LL BE MORE." 1066 01:17:53,103 --> 01:17:54,800 OKAY, SO WHAT... 1067 01:17:54,931 --> 01:17:57,368 I'M NOW CONVINCED HE'S REFERRING TO THE STONE 1068 01:17:57,498 --> 01:17:59,196 BROUGHT BACK FROM THE THAMES RIVER. 1069 01:17:59,326 --> 01:18:02,068 DON'T YOU SEE? THE FIRST MURDER WAS COMMITTED 1070 01:18:02,199 --> 01:18:03,983 DURING THE 24-HOUR PERIOD 1071 01:18:04,114 --> 01:18:06,203 IN WHICH THE STONE WAS BEING DEDICATED. 1072 01:18:06,333 --> 01:18:08,118 IT'S THE KEY TO EVERYTHING. 1073 01:18:09,597 --> 01:18:11,774 I'M SORRY, I DON'T FOLLOW YOU. 1074 01:18:11,904 --> 01:18:16,039 ANGIE, SOMEHOW, AS WEIRD AS IT SOUNDS, 1075 01:18:16,169 --> 01:18:19,477 THE STONE IS TIED INTO EVERYTHING. 1076 01:18:19,607 --> 01:18:22,480 AND WHEN THEY BROUGHT THAT THING BACK 1077 01:18:22,610 --> 01:18:26,832 FROM THE BOTTOM OF THE THAMES RIVER, 1078 01:18:26,963 --> 01:18:30,009 THEY BROUGHT HIM WITH IT. 1079 01:18:30,140 --> 01:18:34,710 AND HE'S HERE IN OUR CENTURY, 1080 01:18:34,840 --> 01:18:37,190 REPEATING THE SAME MURDER PATTERN 1081 01:18:37,321 --> 01:18:40,193 ALL OVER AGAIN. 1082 01:18:40,324 --> 01:18:45,416 LISTEN... WHOEVER THIS PSYCHO IS... 1083 01:18:46,504 --> 01:18:48,506 HE'S NOT JACK THE RIPPER. 1084 01:18:48,636 --> 01:18:52,728 HE CAN'T BE, NOT THE JACK THE RIPPER. 1085 01:18:55,165 --> 01:18:57,907 DON, STONES DON'T BRING PEOPLE BACK TO LIFE. 1086 01:18:59,473 --> 01:19:02,389 OKAY, WHETHER YOU BELIEVE ME OR NOT, THAT'S NOT IMPORTANT. 1087 01:19:02,520 --> 01:19:04,304 WHAT IS IMPORTANT IS THAT I NEED YOUR HELP. 1088 01:19:04,435 --> 01:19:07,307 WELL, YES, OF COURSE, BUT... 1089 01:19:07,438 --> 01:19:09,179 I GOT A PLAN, 1090 01:19:09,309 --> 01:19:10,876 BUT I'M GONNA NEED YOU TO HELP ME, 1091 01:19:11,007 --> 01:19:12,182 AND I'M GONNA NEED JOE, 1092 01:19:12,312 --> 01:19:13,872 BECAUSE I'M TELLING YOU, HE'S OUT THERE, 1093 01:19:13,923 --> 01:19:15,011 AND WE GOTTA STOP HIM. 1094 01:19:24,977 --> 01:19:26,936 AND HE'S READY TO KILL AGAIN. 1095 01:19:55,225 --> 01:19:58,271 THE EVIL HERE MUST BE DESTROYED. 1096 01:19:58,402 --> 01:20:02,580 TONIGHT, IT SHALL BE SCOURGED BY FIRE AND BRIMSTONE. 1097 01:20:34,438 --> 01:20:37,049 HEY, YOU! FREEZE! 1098 01:20:57,243 --> 01:20:58,331 GET BACK! 1099 01:20:58,462 --> 01:21:00,551 SATAN RULES THIS PLACE OF DARKNESS. 1100 01:21:00,681 --> 01:21:03,423 HIS ABODE OF EVIL MUST BE DESTROYED. 1101 01:21:07,601 --> 01:21:09,516 NO! 1102 01:21:10,735 --> 01:21:13,433 BACK OFF. GET AWAY. 1103 01:21:13,564 --> 01:21:15,479 DON'T SHOOT ME. DON'T SHOOT. 1104 01:21:15,609 --> 01:21:18,351 THIS IS AN UNCLEAN PLACE, A PLACE OF EVIL, 1105 01:21:18,482 --> 01:21:20,484 A PLACE OF MURDER BY THOSE WHO SERVE SATAN. 1106 01:21:20,614 --> 01:21:23,487 THERE IS EVIL HERE. IT MUST BE CLEANSED. 1107 01:21:23,617 --> 01:21:26,011 I WORK FOR THE HIGHER POWER. 1108 01:21:26,142 --> 01:21:29,362 WELL, YOU ARE OUT OF WORK NOW. 1109 01:21:55,519 --> 01:21:58,957 SO THERE'S YOUR RIPPER, HOTSHOT. 1110 01:21:59,088 --> 01:22:01,699 HE DOESN'T LOOK SO SCARY TO ME. WHAT ABOUT YOU? 1111 01:22:02,787 --> 01:22:04,963 THAT'S NOT HIM. 1112 01:22:06,051 --> 01:22:07,661 YOU SERIOUS? 1113 01:22:07,792 --> 01:22:10,577 HE'S NOT OUR KILLER, PETE. 1114 01:22:10,708 --> 01:22:13,232 THE HELL HE'S NOT. 1115 01:22:13,363 --> 01:22:16,714 THE BELLOK WOMAN POSITIVELY IDENTIFIED HIM AS LATTING. 1116 01:22:16,844 --> 01:22:18,237 THE VILLAGE GUARD WAS 100% CERTAIN 1117 01:22:19,543 --> 01:22:21,173 THAT'S THE SAME GUY THAT DID THE DEATH WALK WITH CHANDLER. 1118 01:22:21,197 --> 01:22:24,113 WHAT ABOUT THE CLIPPINGS IN HIS STUFF? 1119 01:22:24,243 --> 01:22:28,117 I RAN A 29 ON HIM. TWO ASSAULTS. CONVICTED BOTH TIMES. 1120 01:22:28,247 --> 01:22:29,945 HE SPENT THREE YEARS IN A MENTAL HOSPITAL. 1121 01:22:30,075 --> 01:22:31,511 HE TRIED TO BURN DOWN A CHURCH. 1122 01:22:31,642 --> 01:22:33,383 HE'S A CERTIFIED PSYCHO, GREGORY. 1123 01:22:33,513 --> 01:22:36,255 HE MAY BE A PSYCHO, BUT HE'S NOT OUR KILLER. 1124 01:22:36,386 --> 01:22:38,475 WELL, THEN WHO IS? 1125 01:22:40,825 --> 01:22:42,522 YOU WON'T BELIEVE ME WHEN I TELL YOU. 1126 01:22:42,653 --> 01:22:45,047 WHY DON'T YOU TRY ME? JUST TELL ME. 1127 01:22:45,177 --> 01:22:46,526 ALL RIGHT. 1128 01:22:50,095 --> 01:22:52,663 THERE NEVER WAS A COPYCAT KILLER, PETE. 1129 01:22:52,793 --> 01:22:54,404 ONLY THE REAL ONE. 1130 01:22:58,408 --> 01:23:01,019 WHAT ARE YOU SAYING? WHAT ARE YOU TALKING ABOUT? 1131 01:23:01,150 --> 01:23:04,588 JACK THE RIPPER IS ALIVE, 1132 01:23:04,718 --> 01:23:07,243 AND HE'S RIGHT HERE IN HAVASU. 1133 01:23:09,854 --> 01:23:14,293 UH, YOU TALKING ABOUT THE GUY FROM 1888? 1134 01:23:14,424 --> 01:23:15,773 YEAH. 1135 01:23:17,209 --> 01:23:18,689 WELL, HE'S AN ACTIVE DUDE. 1136 01:23:18,819 --> 01:23:21,300 HE'S GOTTA BE PUSHING, WHAT, 140? 1137 01:23:21,431 --> 01:23:22,867 TAKES A LOT OF VITAMINS. 1138 01:23:22,998 --> 01:23:26,740 I TOLD YOU YOU WOULDN'T BELIEVE ME. I DIDN'T EXPECT YOU TO. 1139 01:23:26,871 --> 01:23:29,047 WAIT, WAIT, WAIT. WHAT'S THE MATTER? 1140 01:23:29,178 --> 01:23:31,136 I'M ALL RIGHT. JUST A LITTLE DIZZY. 1141 01:23:31,267 --> 01:23:32,659 LISTEN TO ME. 1142 01:23:32,790 --> 01:23:35,793 THREE NIGHTS FROM NOW, HE'S GONNA STRIKE AGAIN. 1143 01:23:35,923 --> 01:23:39,014 YOU GOTTA GO HOME. YOU GOTTA GET SOME REST. 1144 01:23:43,235 --> 01:23:47,022 JOE! JOE, GET IN HERE! 1145 01:23:47,152 --> 01:23:48,458 AAH! 1146 01:23:51,461 --> 01:23:53,158 Angie: HI. 1147 01:23:55,552 --> 01:23:57,336 HOW DO YOU FEEL? 1148 01:23:58,816 --> 01:24:01,514 I FEEL LIKE RIP VAN WINKLE. 1149 01:24:03,864 --> 01:24:05,562 HOW LONG HAVE I BEEN OUT? 1150 01:24:05,692 --> 01:24:07,520 EVER SINCE THEY BROUGHT YOU IN. 1151 01:24:07,651 --> 01:24:10,349 IT'S BEEN THREE DAYS NOW. YOU HAD A SEVERE CONCUSSION. 1152 01:24:10,480 --> 01:24:13,004 THAT'S WHY YOU BLACKED OUT IN THE JAIL. 1153 01:24:13,135 --> 01:24:13,787 HI, JOE. 1154 01:24:13,918 --> 01:24:16,051 HEY, PARTNER. 1155 01:24:19,315 --> 01:24:21,447 HOW LONG YOU GUYS BEEN HERE, ANYWAY? 1156 01:24:21,578 --> 01:24:24,711 I DON'T KNOW. COUPLE HOURS, I GUESS. 1157 01:24:24,842 --> 01:24:26,907 THE DOCTOR CALLED. HE SAID YOU WERE SAYING OUR NAMES. 1158 01:24:26,931 --> 01:24:30,674 HE FIGURED IF YOU WOKE UP AND SAW US, IT'D BE EASIER FOR YOU. 1159 01:24:30,804 --> 01:24:32,284 FAMILIAR FACES AND ALL. 1160 01:24:32,415 --> 01:24:35,070 I WAS HAVING THIS DREAM ABOUT YOU GUYS. 1161 01:24:35,200 --> 01:24:38,160 ALL THREE OF US WERE TOGETHER. 1162 01:24:40,205 --> 01:24:42,729 AND WE WERE TRAPPED, 1163 01:24:42,860 --> 01:24:45,645 AND WE WERE GONNA DIE. 1164 01:24:45,776 --> 01:24:48,518 WHOA. COME ON, TAKE IT EASY. I'M GONNA GO GET A NURSE. 1165 01:24:48,648 --> 01:24:51,477 NO, I'M ALL RIGHT. I DON'T NEED A NURSE. 1166 01:24:53,914 --> 01:24:58,223 WAIT A MINUTE. I'VE BEEN OUT FOR THREE DAYS. 1167 01:24:58,354 --> 01:25:00,878 WHAT'S TODAY'S DATE? IT'S MONDAY. IT'S THE 30th. 1168 01:25:01,008 --> 01:25:03,098 THE 30th. HE'S GONNA KILL AGAIN, TONIGHT! 1169 01:25:03,228 --> 01:25:06,753 NOBODY'S GONNA KILL ANYBODY. WE CAUGHT HIM, REMEMBER? 1170 01:25:06,884 --> 01:25:09,887 WE DIDN'T CATCH HIM! WE DIDN'T CATCH THE RIPPER! 1171 01:25:11,541 --> 01:25:15,893 DON, I WAS TALKING TO JOE ABOUT YOUR THEORY, AND... 1172 01:25:16,023 --> 01:25:18,722 WE THINK YOU'VE BEEN UNDER A LOT OF STRAIN. 1173 01:25:18,852 --> 01:25:21,551 HE'S OUT THERE, DAMN IT, ANGIE! 1174 01:25:25,381 --> 01:25:28,514 JOE... 1175 01:25:28,645 --> 01:25:33,389 OKAY, SO YOU DON'T BELIEVE ME ANYMORE THAN DAWSON DOES. 1176 01:25:33,519 --> 01:25:35,434 BUT YOU PROMISED TO HELP ME. 1177 01:25:35,565 --> 01:25:37,915 WELL, YES... 1178 01:25:38,045 --> 01:25:40,372 I HAD A PLAN TO CATCH THE KILLER, REMEMBER. YOU PROMISED TO HELP ME. 1179 01:25:40,396 --> 01:25:42,354 THERE AIN'T NOBODY TO CATCH.I CAN PROVE IT! 1180 01:25:42,485 --> 01:25:45,792 YOU GUYS ARE THE ONLY PEOPLE I CAN TRUST HERE. 1181 01:25:48,665 --> 01:25:50,754 LOOK, WE ARE RUNNING OUT OF TIME. 1182 01:25:50,884 --> 01:25:52,930 WE HAVE GOTTA DO THIS TONIGHT. 1183 01:25:56,281 --> 01:25:57,587 JOE? 1184 01:25:58,892 --> 01:26:01,156 WILL YOU HELP ME, BUDDY? 1185 01:26:03,375 --> 01:26:05,856 ANGIE... WILL YOU HELP ME? 1186 01:26:38,715 --> 01:26:40,978 ALL RIGHT, LOOKS LIKE THE GUARD'S NOT HERE. 1187 01:26:41,108 --> 01:26:42,849 I'll FIND HIM AND KEEP HIM OUT OF THIS. 1188 01:26:42,980 --> 01:26:45,330 REMEMBER, YOU STAY WELL-HIDDEN IN THAT BOAT, MAN. 1189 01:26:45,461 --> 01:26:47,854 WE GOTTA MAKE HIM BELIEVE THAT ANGIE'S ALONE. 1190 01:26:54,426 --> 01:26:56,515 ALL RIGHT, TAKE OFF. 1191 01:29:33,977 --> 01:29:35,761 DON WANTS ME TO MEET HIM ON THE STEPS. 1192 01:29:36,632 --> 01:29:37,850 SUPPOSED TO BE THE DECOY. 1193 01:29:37,981 --> 01:29:40,679 I CAN'T BELIEVE WE'RE DOING THIS. 1194 01:29:40,810 --> 01:29:42,768 ANGIE. ANGIE. 1195 01:29:42,899 --> 01:29:45,423 OKAY, THERE HE IS. BE BACK IN A SECOND. 1196 01:29:45,554 --> 01:29:46,554 ALL RIGHT. 1197 01:30:00,525 --> 01:30:01,570 JOE! 1198 01:30:01,700 --> 01:30:03,180 HEY! 1199 01:31:26,045 --> 01:31:27,525 OPERATOR. 1200 01:31:28,831 --> 01:31:30,528 OPERATOR! 1201 01:32:24,887 --> 01:32:27,106 AAH! GOOD EVENING. 1202 01:32:27,237 --> 01:32:32,068 I'VE NEVER HAD THE OPPORTUNITY BEFORE 1203 01:32:32,198 --> 01:32:35,550 TO... INTRODUCE 1204 01:32:35,680 --> 01:32:38,596 ONE OF MY LADIES TO ANOTHER. 1205 01:32:38,727 --> 01:32:40,685 THEREFORE, DEAR ANGIE, 1206 01:32:40,816 --> 01:32:43,296 MAY I PRESENT ELAINE. 1207 01:32:43,427 --> 01:32:46,822 NO, NO, NO! 1208 01:32:46,952 --> 01:32:49,302 NO! NO! 1209 01:32:49,433 --> 01:32:51,348 NO! 1210 01:32:53,002 --> 01:32:55,874 THE STONE WILL RECEIVE YOUR BLOOD, ANGIE. 1211 01:32:56,005 --> 01:32:58,660 ITS POWERS WILL BE RENEWED THROUGH YOU. 1212 01:32:58,790 --> 01:33:00,792 YOUR BLOOD WILL ALLOW ME TO RETURN, 1213 01:33:00,923 --> 01:33:03,795 TO GO BACK TO MY CENTURY. 1214 01:33:25,904 --> 01:33:27,776 IT'S TIME NOW, ANGIE. 1215 01:33:51,451 --> 01:33:53,628 COME, ANGIE. 1216 01:34:12,777 --> 01:34:15,650 SAY GOOD-BYE TO DEAR ANGIE. 1217 01:34:15,780 --> 01:34:18,261 DON... SHOOT HIM! 1218 01:34:45,244 --> 01:34:47,899 COME ON, IT'S OVER. IT'S OKAY. 1219 01:34:48,030 --> 01:34:49,945 IT'S OKAY. 1220 01:34:50,075 --> 01:34:51,686 IT'S OKAY. 1221 01:34:51,816 --> 01:34:53,905 IT'S OVER. 1222 01:34:54,036 --> 01:34:55,472 IT'S OVER.